The best (and brightest) films with Helena Bonham Carter

HElena Bonham Carter experienced a successful film career. Die englische Schauspielerin ist schon in Dutzenden Filmen zu sehen, von denen die meisten ein positives Urteil der Kritiker erhielten. Apart from the fallen laborers, there is still a lot of work involved, even though there is little work to be done.

Click here to view the gallery and view your own images, with the help of critical insights.

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Stark: “Zimmer mit Aussicht” (1985)

A 19-year-old Bonham Carter has written the Kritiker in his entire history of Romance by Merchant Ivory Production, based on EM Forster’s Roman. That one New York Times value when it comes to “notice the complex performance”.

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Stark: “Hamlet” (1990)

The interesting Schauspieler-Ensemble des Films file other than Bonham Carter as Ophelia, besides Mel Gibson as Hamlet, with the most critical films.

Stark: "See you again in Howards End" (1992)

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Stark: “Wiedersehen in Howards End” (1992)

James Ivory’s Adaption of EM Forster’s classical novel from the year 1910 was of critical interest and Bonham Carter was nominated for a BAFTA. Empire enjoy one four-star operation and that New York Times described the film as “a short film for Ms. Bonham Carter”.

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Schwach: “Mary Shelley’s Frankenstein” (1994)

It is not likely that the critical tone was critical, with the help of Kenneth Branagh’s original and well-written version of Shelley’s classical Gothic-Roman response. Während Bonham Carter als Geliebte “großartig” aussah, verglich Empire The film is made with a “capable night, which could be better”.

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Stark: “Geliebte Aphrodite” (1995)

Rolling Stone Schrieb scherzhaft, that Bonham Carter himself with his work in the romantic comedy of Woody Allen “immer mehr von de Korsetts des Kostümfilms entfesselte”. Aber das Highlight des Films bleibt Co-Star Mira Sorvino.

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Schwach: “Portraits Chinois” (1996)

Dieser Kunstfilm es nicht, die Begeisterung eines großeren Publikums zu erwecken. Empire notices heavily who Bonham Carter, auf Französisch spielend, “die Teile zeeammenhielt”, aber Time Out argue, that’s because it is “hektic and abgehackt” sei.

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Stark: “Wings of the Dove – Die Flügel der Taube” (1997)

Bonham Carter collected Oscar and BAFTA nominations for his performance as well Best Actress. CNN nannte den Film “hypnotizing”, während Variety the character of their appearance, their strong character and special character.

Stark: Vom Fliegen und others Traumen" (1998)

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Stark: Vom Fliegen und Andere Träumen” (1998)

Film Journal International lobte Bonham Carter’s educational production and his own “Bravour-Performance” – the basis for the production of the film itself. Empire stimulated by the results and concrete of the “rational befriedigende, aber life-bejahende Note” of the films.

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Stark: “Fight Club” (1999)

Rolling Stone enjoy the work and also make a “bahnbrechenden film”. Ed Norton, Brad Pitt and Director David Fincher created “Karriere-Höhepunkte” here. Es went nor again: “Bonham Carter, aussehend wie die Heimatlose aus der Hölle, was nor nie so hart oder grandios.” The impressive American Film Critic Roger Ebert is proud of his work and his own views, which means that the film is well-written.

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Schwach: “Planet of the Affen” (2001)

In the film we saw a new film of the version of 1968. Bonham Carter was seen as a sympathetic Schimpansin Ari, who saw Roger Ebart as “Eleanor Roosevelt of the Affen”.

Schwach: "Novocaine – Pain in the Pain" (2001)

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Schwach: “Novocaine – Zahn um Zahn” (2001)

Die Rezensionen hatten grundsätzlich nichts Gutes übrig für diesen schwarzhumorigen Film Noir. San Francisco Chronicle complained about that indescribable Besetzung, the unsuitable Ton and the long-awaited Handlung. Empire The film is described in different ways and described as “two-star film with (…) some four-star moments”.

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Stark: “Corpse Bride” (2005)

Bonham Carter lies in his home figure. Scene stealers described Tim Burton’s Stop-Motion-Märchen as “costly finster”. That one New York Times erorterte Burton’s “Liebe zu Knochen und Verwesung”.

Schwach: "Charlie and the Schokoladenfabrik" (2005)

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Schwach: “Charlie und die Schokoladenfabrik” (2005)

Bonham Carter was in the remake of “Charlie and the Chocolate Factory” (1971) in a new piece. The work was more intimate and uncanny than the original, but still described in the magazine Slant den Film als “schnulziges Schlamassel” und “widerlich süß”.

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Stark: “Sweeney Todd – Der teuflische Barbier aus der Fleet Street” (2007)

Bonham Carters Auftritt in Tim Burtons Leinwandversion von Stephen Sondheims Theatermusical spaltete die Kritiker-Meinungen. Variety speak of a “gepenstischen and musically decorated performance as a main storyteller”, what it means The Boston Globe and that is Bonham Carter’s interpretation of the roll, but that of the “singing sound is completely falsch” as well. Das Publikum jedenfalls liebte den Film.

Schwach: "Terminator: The Solution" (2009)

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Schwach: “Terminator: The Erlösung” (2009)

Bonham Carter’s small, aber entscheidende Rolle hatte keinen Einfluss auf die Bewertung. Time Out holds the film for “chaotic (…) and a intellectually policy-oriented Sauerei”.

Stark: "Harry Potter and the Halbblutprinz" (2009)

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Stark: “Harry Potter und der Halbblutprinz” (2009)

Valid The Globe and Mail ihre Besetzungskollegen – Gambon, Rickman, Smith and others – with Lob überschüttetetete, blieb die Kritik gegenüber der Performance von Bonham Carter erstaunlich zurückhaltend. Variety Today you can roll with ease, as you play with “hypnotisierender Hingabe”.

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Stark: “Enid” (2009)

There Guardian Bonham Carter’s Darstellung der britischen Schriftstellerin Enid Blyton lobbed it as “fesselnd”. The Schauspielerin wurde für einen BAFTA als Best Actress nominates.

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Schwach: “Harry Potter and the Holy Ghost – Part 1” (2010)

That New York Times describe these parts of the first film films as “travelling and long-lasting” as the original films and criticisms of the experience of the film – the experience of Bonham Carter – as “nur or dahin plätschernd”.

Stark: “The King’s Speech” (2010)

Dieses von der Kritik gefeierte historical Drama brought Bonham Carter a BAFTA as Dear Nebendarteller and an Oscar nomination. Der Guardian nante is a “reichlich vergnügliches Drama”. Der Hollywood Reporter described Bonham Carter’s Rolle as “Offenbarung”.

Stark: “Les Misérables” (2012)

In der Rezension überschüttete die Zeitung The Guardian die Schauspielerin geradezu mit Lob. If you don’t mind, you’ll have a special experience, “mühelos all die Show zu stehlen”.

Schwach: “Dark Shadows” (2012)

There Telegraph was again influenced by Tim Burton’s supernatürlichem Vampirfilm, nor by Bonham Carter’s “bisher with the smallest logical Rolle”. IndieWire described the film as “trouble and slow”.

Stark: “Burton & Taylor” (2013)

The Elizabeth Taylor-Richard Burton Biopic is the most positive experience. That one New York Times unterstrich Bonham Carter’s Darstellung von Taylor as “sofort glaubwürdig”. Variety lobte sie für ihre außergewöhnliche Wiedergabe von Taylors Stimme.

Schwach: “Die Karte meiner Träume” (2013)

Hollywood Reporter lobte die Schauspielerin dafür, that is “it was irgendwie ergreulich complexes aus (ihrer Rolle)” gemacht hätte. Dennoch couldn’t do that Sunday Times If the film is not finished, you can watch it later and see it later.

Schwach: “Lone Ranger” (2013)

As weltweiter Flop, verspottete The Atlantic den Film für “die schicksalhafte Entscheidung, nicht zu enden”. Time Out described as “frustrating, long and painful”.

Stark: “Suffragette – Taten statt Worte” (2015)

When you look at performance, you notice The Wall Street Journal Bonham Carter’s unique intelligence and enduring witz, written in the film as “blass” ab. The Critic Guardians Enjoy your business in your holiday with a travel bonus and benefits, and you will have a good experience.

Stark: “Cinderella” (2015)

Director Kenneth Branagh’s Live Action Version of the Animated Disney Classics was generally well received, and was especially interesting during a complete review. Time veranschaulicht was. Bonham Carter’s “Frecher Schmollmund” was transformed into a store made of “Glamour” magazine.

Quellen: (The New York Times) (Empire) (Rolling Stone) (Time Out) (Variety) (CNN) (San Francisco Chronicle) (Slant) (Chicago Reader) (The Boston Globe) (The Globe and Mail) (The Guardian) (The Hollywood Reporter) (The Telegraph) (The Sunday Times) (The Atlantic) (The Wall Street Journal) (Time) (Glamour)

Here comes a more magical experience from Disney’s real-life films.