Exclusive to Markstart: Marshall Monitor III ANC in the field test: Tolles Design, who is the sound?

When you listen to the clear vocals and hi-hats, the Monitor III is straight up high. Dadurch will make sure that all the timmen are german and clear, so that Rocksounds can become more profitable.

When playing and having your night-time snack it can be that your spitz works in the best way, but in any case vocal songs that go over the music are played in the background. Fortunately the sound does not adjust very well to the pieces via the equalizer.

Bässe since gut gelöst and detailliert, allendings nicht übermäßig present. In bass-lasting songs you will find a lot of rubbish, the man then has great details, in some bass-focussierten songs you can still listen to the vocals in advance. We are here with all our subjective opinions in our own songs after songs from:

• The Hives – Countdown to Shutdown: Guitars come from the music, the song can be played at the moment you are spitz.
• The Black Keys – Going Down South: Im Verse perfect with the Monitor III, Bass is still good, clear vocals but they are spitz zu be. That whole solo guitar after the first verse is quite borderline.
• The Raconteurs – Sunday driver: Geht gut
• Kaleo – No Good: Very good, strong vocals, good bass, detailed soundstage, man who knows how to make the sound, different compositions of the sound.
• Kurt Vile – Pretty Pimpin: No matter how you look at Monitor III, the song has a good sound.
• Aurora – Graveyard: The beginning is filled with crystal clear vocals, one hears the dark voice of the voice. When most of the effort has been made, it is no longer such a good idea, here were more Wumm’s intestines.
  
• Notorious BIG – Hypnotize: The bass-heavy piece comes with guts, man hears the details of the bass (statt dumpfen Tieftönen). The “Händeklatschen” may be a bit of the spitz, but it could be a bigger bass.
  
• Ennio Morricone – The Good, the Bad and the Ugly: The very bright guitar sound can be reproduced with the high quality of Monitor III, which dispels the Lautstärke.
• Jackson C. Frank: Guitar plus guitar, idiosyncratically perfect on the Marshall, is perhaps a complete story. Recommendation for Reinhören – melancholic guitar songwriter, unique album from 1965.
• Leonhard Cohen – You Want it Darker: The original vocals of Cohen, for the people or the others, are not very enjoyable, the music could then be more prominent, but there would be a track in the background. The bass line will no longer contain music, the rest of the music can become a complete extension.
• Robbie Robertson – Theme for The Irishman: Gutes Beispiel: Die helle Mundharmonika überstrahlt teils zur sehr und ist präsenter als der Kontrabass, der zwar gut öufgelöst ist, aber etwas more Full hasen könnte, nicht unbedingt am ganz tiefen Ende, aber in den mittleren Reichen davor.
  

It comes to the Marshall Monitor III when he plays in the background and makes his own sound, while the signature sounds pass by on the jewel piece. The strong play of Monitor III with the quality of the music, rock and bass-tricky music on. When the singer shows the vocals, the Marshall-Kopfhörer can often take care of that, which the oversized music, under the bass, uninterrupted work.

It is often the case that the bed is built, the clothesline is high and the detailing of Monitor III is up to date with the geltung. Then it is a fact that a dog is a spitz, soda with the laurel wreath in one of the songs he sings, then he is the leader of the German Germany and the music that plays in the background. Je nach Stück eben.