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Chance or Ausbeutung? – Einsiedler Anzeiger

Chance or Ausbeutung? – Einsiedler Anzeiger

Spezifische Führung in der active Ausstellung «Arbeitende Kinder im 19. und 20. Jahrhundert»

If her war was normal, then it was ambivalent Gefühle: working children. This theme, including Fokus “Fromme Industry, child labor in the Benziger edition”, listens to Heinz Nauer’s maritime history on the forum of Schweizer history.

Bemerkswert, dass der Titel der Titel der Ausstellung im Forum der Schweizer Geschichte in Schwyz «Arbeitende Kinder im 19. und 20. Jahrhundert» und nicht «Kinderarbeit im 19. und 20. Jahrhundert» laute, meinte der Einsiedler Historiker Heinz Nauer zum Einstieg in seine spezielle Führung. Before there is an incorrect calculation of costs, this is an Aussage, but this Ausstellung is not true, but the historical normal situation has disappeared. In the Landwirtschaft, if there is a tribe, you do not see childhood, nor in the enterprise involved. So if you no longer use the best children’s play supplies, there are no children’s games or children’s play, toys or work tools or anything. Auf alle Fall became man auf diese Weise auch heute noch spielerisch en de Arbeit rerangeführt. So just go to the 19th century. If you use more and more intensive equipment, you will probably have to do the installation: a little life is a good life.

Benziger – Engine of the regional company After the whole series of 40-year excavations in the history of the development of the ‘of industry, child labor in the Benziger Verlag Einsiedeln’, which a special, 50-minute flight has passed Sonntagmorgen gelaute hatte . Übrigens hat er mit seiner Pubblikation mit dem gleich beginners Titel «Fromme Industrie» en der Ergänzung «Der Benziger Verlag Einsiedeln 1750– 1970» in the year 2017 is doctororiert.

After a history of the past, this is the first report – based on the production catholic Erzeugnisse wie Devotionalien, Rosenkränze, Bücher, Heiligenbilder … – and the greatest labor, the Einsiedeln you hatte and the two half of the 19. Years auch international, all in the United States, which have great success and can assume a large part of the power, which makes Heinz Nauer concrete on the theme of a Kinder ein.

With exciting, original texts, which are chosen in the last time of the world, the publications in this time of 150 years are a fact and an authentic foutahren, after the critical comments made in the American benziger involvement. Aber auch wie Zwölf-bis Vierzehnjährige in Einsiedeln Heiligenbildchen kolorieren, haben sich but diese farbig besser verkaufen las-sen. Yes, the Waisenhaus on the Katzenstrick, the mothers of Maria End are hidden, while they will see one of the next Kolorieranstalten, while the Einnahmequelle takes photos in front of this house. «Nur Bildung ist gefährlich»

The children were first besser geschützt, as the guilty obligatory world and 1877 das Fabrikgesetz in a four-year verb, was at Benziger Verlag keinen Anklang, and there was soon a more logical solution to that Gesetz war. The Einsiedler Father Gall Morell played a major role in the Reformation of the Schulwesen, with the history of the past. Or if you come from ‘beruft’ and now get an image that you find exciting, then these are exciting and uninteresting texts that are intended to make you think. When I started using that theme intensively for the first time, the work was played in a central role or who was sitting there: “A work that is not good for that time (or jener) Welt.” For the personal, the most clever part has been developed and that the simple capital with the free space or the spazzacamini, the Tessiner-knaben, a good kaminfeger in the Italian city a schreckliches schicksal hatten, but also the traurige geschichte with them Waisenhaus in Einsiedeln .

If Heinz Nauer is very neutral and neutral, there could be interesting and interesting information and that is not true, so it was not the case that there was any influence of the erasure by these themes. Nothing is like that, but we will turn our fingers to the fragments of the interests that we want to achieve and enjoy the art and researching the results that will have a positive impact on the hinterland.