Dave Festival in Dresden: Tanztee mit Robotern

Dresden. In Mann in 2001 in Dresden, an engineer who became a master artist, who is on Tüftler and as a Solcher Erfinder ganz spezieller Roboter. Moritz Simon Geist, born in Göttingen in 1981, had his programmatic Helfer Musik machen – and the genau z diesem Zweckt left you with a glimpse of both the works in the Dresdner Archiv of the Avantgarden ein.

Experience the club culture during the Dave Festival on Donnerstag Neuland. It is worth buying the power of the Geese with that nor vergleichsweise young attitude. “Zum Tag der Deutschen Einheit präsentieren sich Hoch- and Clubkultur also solidarity, indemnity for exciting artistic dialogue with the targeted Haltung ensuren,” said Festival Speaker Philipp Demankowski. The archive of a Blockhaus is such with “Club Contraire”, that the nachmittag and even one of the jewels with three unused versions of electronic live music are still no longer available. There is also an Art Tanztee with Robotern.

The “Club Contraire” of the Dave-Festivals was found in the Dresdner archives of the Avantgarden-statt.

Quelle: PR

Shannon Soundquists makes a “cineastic journey through Geräusche, Körperlichkeit and abstract electronic music”, so Demankowski. “Die Klangkünstlerin und Produzentin, die in der Dresdner Freetekno-Szene verwurzelt ist, integer Atem, Stimme und poetic Texte in ihr Sounddesign.” Jana Lütkewitte wiederum is one of the HfBK students in the Class of Carsten Nicolai and connected Bildende Kunst, Ingenieurwissenschaften and Musik miteinander. Demankowski: “In this performance, the acoustic perception in movement, graphic forms and far-reaching effects, results in a unique dialogue with the surrounding environment.” Moritz Simon Geist, the Demankowski as “Daniel Düsentrieb der Herzen” (Daniel Düsentrieb der Herzen), realizes with his eyes that his experiences , 2023 in South Korea entstandenen Klangskulptur „Don’t Look At Me“ also known as „Sounds with Resonance Generators“. Das Ergebnis: Contemplative Drone and Ambient Sound, by emsigen Robotern played.

Geist, if you play with Klavier and Clarinet, you also enjoy playing with classical music, and as a Student of Punk and Noise. With the electrical engineering diploma in the subject that started as a teacher and an academic career, it is a synthetic sound that appeared in 2012 and that in 2012 developed its theoretical knowledge and its creative ambitions and a creative creative enterprise. That’s it – with strong international experience.

“My work is a poetic comment on a speculative theory of art and technology,” he wrote. “These machines, which are the result of mechanical sound effects – the art of sound development, the normal electronic music experience.” For the sake of self-learning. “If the mechanic belongs to the mechanic, the algorithm can create an algorithm. As a Live Musician and Producer, it is true that KI probably has far too little, a diesen Körper zu steuern.“ Ihm urges that Frage auf: Who would change their own creative and creative process in 20 years through Künstliche Intelligenz?

Sein Fazit: “Were people, how creative can it be, how do they lose Job? Yes. Is that in der Vergaanheit passionrt? Yes. What do you want to do? Yes!” For the rest of the year: “The results of our journey with the help of our Maschinen were found, it was our own human power.”

Other people have given Dave-Macher a chance to get a refund. The control of US government bonds – It goes once in April – it is no longer possible. Philipp Demankowski: “Man hatte den Eindruck, fell van de Frühjahrs-Ausgabe des Festivals nichts mitbekommen.” Difficult becomes a piece of cake in the Club culture. “But if we were to first accept it, it was the right thing to do since then.” During the Teilung, man was able to support the Taxation for the pure team better. „Außerdem was so possible, Veranstaltungen im Frühling anzufangen and im Herbst zu legen. Zum Beispiel die Ergebnisse des April-Workshops im Herbst zu zeigen.“ Wahrscheinlich became man 2025 jedoch zum alten Format in October zurückkehren. “Aber nicht mehr unbedingt zehn Tage lang.”

Shannon Soundquist translated into “Club Contraire”, a cinematic journey through Geräusche, Körperlichkeit and abstract electronic music.

Quelle: PR

Jetzt has developed another facet of the program, which connects workshops, parties and concerts. “I am Thalia-Kino celebrating a special edition of the 40-year anniversary of E2-E4 of Manuel Goettsching, a world of electronic music,” says Demankowski. “The major player in the sector evolution started at 9 pm with Künstlern in Australia, in Ukraine, Berlin, Hamburg, Leipzig and Dresden, and integrated a concert of the Live-Techno-Band Komfortrauschen. There is a highlight in the autumn of ‘Beyond the Club’ in the Martin-Luther-Kirche. Dort plays Techno Pioneer Wolfgang Voigt.”

Once the archive of the Avantgarden has been reviewed, the explanation is thus: “The Ort is architecturally and historically most exciting. With its focus on the avant-garde and the spirit of discovery and innovation, this is a great way to have absolutely no art sense. If we get it right, all people will pass through the low crowds of the club culture publics.”

If you push to the forefront of cultural development, this is optimism. “That is true existence. We couldn’t take back cover photos or look at the old source anymore.’ “It is true: a life and a probable club culture are enormous, um young, good people, aber auch Besucher nach Dresden zu locken.”

Thats Dave Festival found from 2. to 6. October with unterschedlichtsten Veranstaltungen in miscellaneous Dresdner Häusern statt.

Der Tipp: Club Contraire mit Moritz Simon Geist, Shannon Soundquist and Jana Lütkewitte, 3.10., 17 Uhr en 20 Uhr, Archiv der Avantgarden, Dresden; Tickets are available here.

ZZ