High craftsmanship level in Gießen

Das Quintett »JeZzt!« gives a great and powerful concert in the Mittelhessen music center in Gießen.

Giessen. An überraschendes en hörenswertes Konzert gab jetzt die fast new Gruppe »JeZzt!« am Freitag in Musikzentrum Mittelhessen. Das Quintett from heritage and competence-oriented music presents a repertoire that is filled and more interesting own compositions at a high craft level. The publication is fully informed about the positive energy of the energy and war will continue.

Brain project

Hans Kreuzinger, Saxofon, René Rösler, Trompete und Flügelhorn, Joe Bonica am Schlagzeug, Bassist Nicole Badila and last not least Keyboarder Peter Bongard are the best equipment and überzeugten vom Start away with an excellent Geschlossenheit and Rundheit des Spiels.

»Energy-charged personal compositions with funk, free and firecrackers« about your musical self-description.

»Das war ursprünglich ›Reloaded‹, een meiner project in der Jazzinitiative. René hated the idea, it was a waste of time, like saxophonist Hans Kreuzinger in the Rande des Konzerts.

»JeZzt! is the brain project of nice women and men who play here and jetzt in the emerging jazz age. A modern mix of jazz, funk and Latin, which has never lost the dogmatism in the music of »Jezzt!«. It’s fun to stylistically wash and grow in Miles Davis’ own composition‹Bitches Brew and the funk of the headhunters« (Bandinfo).

Dem ist wenig hinzuzufugen. I played the opener “Claude” again, and Badila plays with träumerische Sicherheit. If it doesn’t happen first, Abend won’t play an instrumental line-up. In “Wood” the band continues after the vertrauten Muster, if there is a solo playing, there is nothing more going on here.

Can’t imagine that all Jazzers are aware of Soli in de Lage, and in that band the title was no longer broadcast by the Soli, making the flight a bit of a bigger Pluspunkt in the composition. And here you don’t play in your title and solo.

When the first Shining War gave to “Portrait of Pierre”, the Kreuzinger on the Flute with a fine, original Beitrag eröffnete, was a wonderful swinging groove ausprägte, Bongard fügte a nachdenkliches Fender-Rhodes-Solo ein. A star of the band is a fantastically emotional Duette by Bläser, neither absolutely tightly played, a gender and a markenzeichen. In “Orinoco” it is very much one of the most typical, fast film musicians Rhythmus, for Bonica a small thing that does not provide any extra dimension.

Exceptional Soloists

Rösler delivers a beautiful Trompetensolo drauf, and the Bläser gemeinsam gestalteten glänzend schöne leise Duettphasen. A chamber musical Abschluss krönte diesen Top title. It is an idiosyncratic composition that radiates the character of the band.

Don’t go past the Alberne Light Show, the Veranstalter is going down. If you use slices and überwiedend in the background, you can lighten the chocolate colors (gel, green, blue, rot) and create a smoother finish. Ensure that all digital lighter devices appear in a whiter manner.

»JeZzt!« is best for exceptional soloists who have decided to create a festive formation. A good idea, it is a solo and craft competence that comes here Wille and Fähigkeit zur Kooperation. So the original Bongards keyboard sounds like an absolute success, even though it’s a big goose.

In addition to her older age, Nicole Badila, who has spent a wonderful time meditating bass, will love to enjoy and the greater the individual becomes: a great attraction. Joe Bonica tries to combine the whole society with his sister, because he has a consistent work servitude and does his work with his original idea.

In an ensemble that is his young women, aesthetic sounds have been found and, with their constructive elements, an unbridled and musical, high-quality concert experience. More intense Beifall.