Music Prize Polyton 2024: Der mit dem Grönemeyer tanzt

“Zeit, dass sich was dreht” and “Atemlos durch die Nacht”

Der Polyton will do everything differently, will no longer make a new Echo, but will be a prize for being a music creator. Am with two people living in Berlin that they will be able to enjoy their lives. The Academy of Popular Music, the preis-vergibt, is not a concern: “Pop music is not a great sub-haltung, sonondern als Reflektor, Katalysator, Generator und Motor sozialer Prozesse stößt sie immer wieder nieuw Unterhaltung an“, he was fully mundig in the Polyton -Selbstbeschreibung .

That sounds very different. If anyone is on the show, while Joy Denalane and Max Herre have a guest ride, and a few Preisträgerinnen and Preisträger des Jaars 2024 schaut, erschließt sich dies Konzept nicht soft. Etwa wen $oho Bani and Herbert Grönemeyer for the update of the Fußball-WM-Hymne “Zeit, dass sich was dreht” in the “Text” category was published. Or when Helene Fischer and Shirin David compare their version of “Atemlos during the night” in the “Wildcard” category with the prize.

Shirin David and Thomas Gottschalk

In the Jury Regulations, both Songs were clearly described as having a social critical dimension: The Song is positioned in the right direction, the other is interpreted as a new Feminismus Debate, after which Shirin David is also a part of ‘Wetten, dass… “ with Thomas Gottschalk corner. When the Neueauflagen change, the hits are like preiswürdig angesehen, deutet dennoch an, dass es nicht onder de gut um de Branche steht.

In the meantime, when I have been working with art and art teachers, an echo infringement has never arisen. In the “Komposition” category, the prize went to “Hold on to Deer Life, There’s a Blcak Boy Behind you” by Kabeaushé. In the “Playing” category, Lorenz Rhode and the Radio Radio Orchestra Ehrenfeld are featured. The Beatsteaks sound like the Sieg in the Sparte “Performance” for the Auftritt in the Wuhlheide. Weitere Preise went to the Musikerinnen Paula Hartmann (‘Produktion’) and Mine (‘Digital) as well as the Choreografin Fatoumata Camara (‘Stage’). While the dramaturgy of the Polyton Gala is still an improvement, the man who has seen the preisträgerinnen and the preisträger a few times how it could last is war that puts the show on an experience.

It started damned, that Herbert Grönemeyer sister with $oho Bani tanzte the runde Bühne tanzte, and finally damned, that Roland Kaiser Helene Fischer was criticized, that he did not get a war, a prize that was deserved and sad, the Trofäe personally in his preview.