A new look at Leni Riefenstahl: Das since die Kino-Highlights der Woche

“The politics of the community has been with me throughout my life,” he said. Nur um “Art” is its time. Another Stelle, like a journalist directly engaged in his business confrontation, would find his correct answer: Dass sie with Hitler is a and his going to “who has a good purpose”, that is a luge. “That’s not a good idea!” Who is Leni Riefenstahl in charge of the Nazi regime? The last period is without welding, but it is a theme that may be good, until 20 years after Riefenstahl’s Tod. An active documentary film by Andres Veiel and Sandra Maischberger has developed a new experience.

New in the film: Simon Verhoeven lets Jan Josef Liefers stumble through sensible times in “Alter Witte Mann”, and in “Terrifier 3” Art the Clown organizes a Christmas celebration on the Leinwand zurück.

Riefenstahl

Although Leni Riefenstahl is so bad (or verklärt), his personal description of his own biography is over, but the most inappropriate thing is that the filmmaker plays an important role in the NS-Progapanda-Maschinerie. With works with “Triumph of the Will” and the “Olympia” film, they are impressive, masterfully choreographed and inspired by strong, healthy, strong human training – iconic “Körperkult” images, which are perfectly integrated into the NS ideology (and these recommendations). ).

Handmade Riefenstahl with your professional maßstäbe. Aber die Inhalte und der historical Context … – Riefenstahl, an intelligent woman, fought after the war years after being with Hitler, Goebbels and Co. In any case, I would like to know about the gräueltaten of the Nazis and drive away. So it is always the case that the patient can recuperate better. There is a certain skepticism about the fact that it is no longer possible to appear in the documentary films “Riefenstahl” as “one of the greatest women of the 20th century”.

Sandra Maischberger spoke on the Riefenstahl on 100 in 2002. The day before an interview, in which the journalist said he spoke to his conversation, is just that. If the Gefuhl came out of the Riefenstahl in 2003, it may be that it is “not a single Sache” in its herauslocken-können. Damals resembles the idea of ​​a documentary film, the Maischberger jetzt as production owner.

Was the film in that form the first power at all: before a personal film by Leni Riefenstahl in the Besitz der Stiftung Preußischer Kulturbesitz über. 700 Kisten Material-insgesamt, the Maischberger and the price-gekrönte Director Andres Veiel (“Black Box BRD”, “Beuys”) as Erste dares, a “a nice look into the life of Leni Riefenstahl zu werfen”. Is the war a vision? A manipulation? A Lügnerin? This new film, which can be used as a “packing disassembly”, can be made clearer.

Alter Weisser Mann

Heinz Hellmich is alive with a Traum, in the same way as “so was who an Indianer” with a Pferd reitet – and zack, there comes with the Deckel. “That’s true, not my whole life,” said the man and his cousin more. No, Heinz is a human being, verkörpert von Jan Josef Liefers, certainly not. A man who acted and spoke was thoughtless. Or is it a little better and softer, a “sensible” time that is not the best to buy? In “Alter weißer Mann”, Simon Verhoeven (“Männerherzen”, “Willkommen bei den Hartmanns”) sees Durchschnitts-Heinz as the ultimate Härtetest.

“Diverse”, “hetero-normative”, “male-dominant”, “nicht-binär”: With only one understanding, there is little room for the flaps of communication or the environment for others. Weil and all these riesengroßen are solid, but no one will be able to give his instructions. And then I come in with one of Simon Verhoeven, er (not the point!) with Karacho’s indentation. And if all goes well, there is only a few stars with: Neben Liefers stehen unter Anderem Nadja Uhl, Friedrich von Thun, Meltem Kaptan, Elyas M’Barek and Michael Maertens on the Besetzungsliste of Verhoeven’s new Komödie ‘Alter wit’ Mann“.

Die Geschichte dieses Films, der sich der “woken” Welt met meer humoristiek Leichtigkeit anzunähern versucht: Heinz Hellmich, weiß en zmindest nicht mehr ganz jung, leistet sich in Büro a few unschöne Fehltritte, which bring my power in Erklärungsnot and in lesser light sogar the Job costs possible. There would also be an Abendessen with Heinz and the blessing family, because they do not know that they can be “the best”. But the leader will give the dinner a completely different experience…

Scarer 3

“Der bessere Gruselclown-Film”, where jeletzt schon veldfach witnessed. There are of course no serious differences between “Joker: Folie à Deux” and “Terrifier 3”. However, this would be a bitter hint of the 200 million series “Terrifier” films starring Joaquin Phoenix and Lady Gaga. After the American start when we started playing “Terrifier 3” directly on Platz 1 in the American Kinocharts, the new “Joker” was absolutely gone. The Halloween theme of the FSK-18 Slasher with Art the Clown shoots here on the large Leinwand.

We are regularly in the social center of the world, and in the past years we have been able to enjoy the fun-loving ‘Memes’ with Art the Clown, the big black Schwarzweiß-Harlequin and the star of ‘Terrifier’-Reihe. In the day when no one had an Ahnung hat, it was one of the most popular films of “Terrifier 3”: The franchise would see the film from the year 2016 before the Blut and Gemets-Horror series of recent years. Wiederholt goes into reporting about people, dies in the field of power or if he has to stay in the world. Also, that’s a good thing, Slasher fans loved it.

Bereits weimal were Halloween thanks to Art the Clown during a night of the Grauens. I am writing, in the meantime David Howard Thornton has published the bloody “Erschrecker” (English: “terrifier”), which will keep Art from Miles County to life – that is, a people’s holiday celebration. Damien Leone is a producer, author and director of the creative creative hints of horror films. And if so, man can say that the money will yield a larger amount: a budget of a few Millions of Dollars will yield a capital gain of as much as 50 Millions of Dollars in “Terrifier 3”. Four films take a long time on the road. (tsch)