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The best TV experience: These 200-minute masterpieces are the latest film experts of the best films of all times! – Kino News

The best TV experience: These 200-minute masterpieces are the latest film experts of the best films of all times! – Kino News

Chantal Akermans „Jeanne Dielman – 23 Quai du Commerce, 1080 Bruxelles“ was soon to be seen in all films. You may find yourself putting an end to the natural beauty of art.

Every 10 years, the British magazine states Image & Sound the Frage nach dem best Film of all Times. Experts and Film Connoisseurs became concerned about the goose world. After 50 years of “Citizen Kane” this best list of best listeners was based on Hitchcock’s “Vertigo – Im Reich der Toten” an der Spitze in 2012. There is now a new winner at the latest Befragung 2022, and those 1,600 Befragten kürten: Chantal Akermans „Jeanne Dielman, Handelskaai 23, 1080 Brussels“.

The high-experimental work is a small revolution: Minutely, a Frau in Echtzeit is painted here every day – a radical cut, which cannot contain the data. ‘Jeanne Dielman’ is a meilenstein of experiments and feminist Kinos – and yet in Germany, which no longer exists. Local Heimkino-Veröffentlichungen are no longer available, but can now be purchased via Import and the Film.

But the evening is around 11:40 PM, which is the opportunity to see the masterwork on the art. And that was one of the things I said, it was a good argument that was one of the most complicated arguments. Alternatively, find the 200-minute drama in no time arte-Mediathek.

Der Alltag in 24 Bildern pro Sekunde

Jeanne (Delphine Seyrig) is a young, white woman who lives in a Brussels residence with her 16-year-old son (Jan Decorte). Ihr Alltag ist von Routinen prägt: Kochen, sich waschen, das Bett machen. These routines are performed by men in a certain location, and they prostitute themselves. With display or display of your music you can say: so sold tickets or music are no longer used. Three days later we will continue with Jeanne during this time, depending on the situation after examining the manner in which we are being treated…

„Jeanne Dielman“ plays with our own life and can be heard (or hey fell light sogar nor more as in the 70s) aufgrund seines langtogether bring Erzähltempos and Borders. For some other magazines “Slow Cinema” it will take a long time – man will look at the previous monotony.

Monotony as Erlebnis

And then when man begins and begins, he will begin, Recognizes the critical hint on the formulas and the conceptual consistency: Denn said “Jeanne Dielman” was not mentioned in the Regel im Film. A woman performs “unsightly” work, which is extremely Care Work shame.

This in the Vordergrund erzählt Akermann with Jeannes Handlungen een Geschichte von (by Geschlechterspelen erzwungen) Ordnung, die gegerät in Wanken. There is a difference between isolation and long-lasting inner life routines – if you see the film on the film, it may not work properly.

“Jeanne Dielman” is no problem or a lighter work. It crosses boundaries when it comes to mainstream and it is first by the Wahl der Image & Sound a breiteren Publikum has become the first at all. Definitive is a film, der die Boundaries des Mediums arose en reausfordert. Nothing is a feminist masterwork, but it is a radical development that is long overdue.

A whole new experience is important in my follow-up article:

Heute Abend free streaming: Dieser deutsche Kriegsfilm ist emotional niderschmetternd en wird euch dennoch das Herz warmen