In Zurich im Kino: «E.1027 – Eileen Gray and the house by the sea»

Zürcher Director im Porträt

It is a great villa

With «E.1027» Beatrice Minger created a documentary about the beautifully named house. When architect Eileen Gray gives an impetus, the war continues like Le Corbusier in his work.

Published at 2:37 PM

Filmmaker Beatrice Minger is sweet with “E.1027” in his feature-length debut ab.

Photo: PD/Filmcoopi

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In Kurze:

Eileen Gray built the Villa E.1027 with Jean Badovici on the Côte d’Azur.
The architect Le Corbusier designed the white Wände des Hauses with Gemälden.
The film said that Konflikken zwischen Eileen Gray and Le Corbusier.
Beatrice Minger was the boss of the Regie der Doku and was trained by Christoph Schaub.

Director Beatrice Minger’s feature-length debut has been given a special title. Title: «E.1027» is the name of a villa on the Côte d’Azur. Irish architect Eileen Gray hat started with Jean Badovici in the 1920s. Weltberühmt wurde das Haus, weil der Architekt Le Corbusier davon fasziniert war. So see, it’s the white wall with large format images. Badovici had already finished loading it, Eileen Gray was not captured. They work as Übergriff. It is a busy street in the fall.

“Philip Delaquis, the producers, wants to make a film about Le Corbusier,” says Beatrice Minger. Delaquis schlug Christoph Schaub voor, Regie zu fuhren; der Zürcher hatte bereits Erfahrungen with Architekturfilmen. Von ihm stamens «Bird’s Nest» (2008) about the Olympiastadion in Beijing or «Architektur der Unendlichkeit» (2018) about Sakralbauten.

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Schaub wiederum Beatrice Minger for the research and the search book and she has an overview of her equipment. While you deal with the development of Eileen Gray, and dare to make the film.

“But then Christoph must write for his personal friends,” says Beatrice Minger. “Ab then I will take over the direction.” Schaub is working on the project, a little more in the background.

Practical at the Cutter by Wim Wenders

Beatrice Minger was born in 1980 and lived in Lachen in Canton Schwyz. Nach Zürich ist ein Germanist und Geschichte zu Studie. “First of all, I’ll be happy, that’s how it works for Filmwissenschaft,” he said. It looks like there’s a war going on from Medium Film.

Während an Austausch semester in Berlin is absolutely a practice at Wim Wenders’ production company. You dare the Cutter of Wenders, Peter Przygodda, to make a «Don’t Come Knocking» work. “I am happy with the Schnittraum and war, who was able to understand and understand the relationship and it was new, and it was very successful,” said Minger. «Es hatte etwas Magisches.»

“I want to take my own direction, but I can no longer get financial votes.” Statistics go directly to sets, a money you earn, as an assistant director and script supervisor – letztere position überwacht, that Drehbuch and drehhted photos in the montage together. «I have always had beautiful films, music videos and small recording tasks.»

Eileen Gray understands Architektur differently than Le Corbusier

The director works in Doku and Spielfilm in his own work. Here Eileen Gray, Le Corbusier and Jean Badovici play together with: Natalie Radmall-Quirke, Charles Morillon and Axel Mustache. “Gray and Corbusier have the feeling that Leben has been hit one or more times,” says Minger. The power of the film is great, but both are caressed.

The dialogue is based on the most beloved Aussagen – who lived by Le Corbusier fell more than with von Gray, who took the blame in Le Corbusier and spread his appearance to a larger part of the world before he was finished.

“You have another look at the world, another sensibility. When you enter, the house is a very large one, which surrounds people, says Minger. «Le Corbusier looks out on the Haus-drauf, sees Formen and Linien. A monument wants to be restored.” The Villa on the Côte d’Azur presents a different architectural style than that of Le Corbusier. “If it is not the case that the Reihe comes, the roads themselves must be normal.”

Here is the house and museum, the walls were restored. Thanks CGI can make the movie of the movie with white wall arrangements. “Der Vergleich saith, met Le Corbusiers Bilder die Wirkung von Grays Architektur zerstören”, says Beatrice Minger.

«E.1027: Eileen Gray and the House by the Sea» launched on 28.11. I’m Kino

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Gregor Schenker Work as an Editor in the Ressort Zurich Life. In first line writing is for the «Züritipp» of the cinema landscape of the city and über sunny film themes.More information@GregorSchenker

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