If Punk Nor Stunk | taz.de

Aus Wilhelmshaven Jan-Paul Koopmann

No, no one is going crazy at all!’ The Streit in the upper Ausstellungshalle des Wilhelmshavener Küstenmuseums spitzt sich zu. “It is easy to do without, but you are happy,” you are driven by a driver in an upper shirt and a functional jacket with the same feeling: “You are happy with everything else outside.” Four men are 50 times in front of a city map on the wall and with the finger rote Marking entlang der Schillerstraße ab. “If the war has been fought in York and the Flic-Flac,” if you look at the battle against one of the many victims, “then the cargo must be dropped here. And that’s no rotten Punkt.”

The best of the best is that it is not the case that many people no longer go – and for this special gold-plated sogar, nor provided, weil the Ausgestellten not yet gerade bekannt for zverlässige Archivpflege since and zweitens schon damals kaum jemand nüchtern-war. “Bang. Punk. Kultorte”, the best music and discos in Wilhelmshaven of the 1980s and 1990s.

And that’s one of the many things you can do – so Clara Ooster’s curator may not be able to get his hands on the full value of the top 30 local cards.

It’s not that it isn’t. Denn Reiz und Zielsetzung dieser Schau liegt en gar nicht in der lückenlosen Chronik der erlebnisorientierten Gastrosparte, sondern in der heute verbüffenden Erinnerung daran, dass es so ein ausuferndes Nachtleben anyway mal gab in dieser nidersächsischen Mittelstadt am Jadebusen, die man heute leicht abtun könnte als Marinestützpunkt plus Wohn- und Einkaufsmöglichkeiten.

The pop culture that finds itself in the world of the fusion of Flyers, Plakaten and Eintrittskarten is neither a bigger lake here, but a little better: with the Konzerten of Chuck Berry, New Model Army or Rammstein.

Aber auch, where one of the Nordic dams would no longer wage a self-war, the gang would have gone through the Schau, in welchem ​​​​Maße Pop a life-oriented lifestyle – and who the unjustified Spartans and music genres of the subculture are dedicated to. A star of the Wilhelmshavener ausstellung is the Fingerspitzengefühl, with the sorting for Schauwände of Heavy Metal, Gothic, Punk and so on more jewels with runtergebrochen were local: from the Band The Color Red, which is like “Britpop from Wilhelmshaven” to its music channel Viva geschafft hat, über die Metal-Combo Crossroads with a lot of fun, the great variety of jazz and art rock things is played for 40 years after playing music.

Entscheidend ist aber: That’s all a long time ago.

Such a man is a night for the Ausstellung Zentralen Progressive-Disco Palazzo, then you will find a Ruine hintermin Bauzaun with zerbrochenen Scheiben a splitternden Fensterrahmen: Lost Place and Problemimmobilie in wirtschaftlichen No Man’s Land zischen Publikumsschwund and Denkmalschutz. Other people who are legendary give hints about the rotten punks on the city map, it still can’t be fun.

Aber gut: Discosterben ist kleine Wilhelmshavener Besonderheit, one of the wittiest bundesweites Phänomen, with regional jewelry that star gang Betreiber: inside, gentrified Viertel and other regional Krisen. Aber also da überwiegen allgemeine Untergangstendenzen. If the tribal disco is played as jewelery “Wohnzimmer” of the war, the event of the nightly events cannot be auf Contents. Gerade the Indie and Alternative discos last on the Pilze from the Boden festivals that Genick has played. Spätests during the annual holidays will be great for everyone in the summer. And the Greenhouses are ready.

The Wilhelmshaven Coastal Museum is not the first historical research institution to revive the Sache. Even in the next Umfeld store, a varied selection is offered for the passing years. In the Schlossmuseum Jever – 20 kilometers away – you can view the “Tanzschuppen, Musikclubs und Diskotheken in de Weser-Ems-area” before one of the most comprehensive exhibitions “Break through to the other side”. Study of the ebenfalls in Oldenburg has had its time with “Zu laut zu dunkel to duür” a cinematic way of thinking. In Museumsdorf Cloppenburg the man can enter the Landdisco Zum Sonnenstein from Harpstedt for three years as an Ausstellungsstück wieder aufgebaut.

It is now a nostalgic walk that is increasingly being discovered: people or other people who use a pop alltag as a historical value of half of the 20 years. If the Wilhelmshavener Ausstellung was no longer available, it became a matter of a larger part of the city. Kurz gesagt: This is not a Kultläden-geht once, twice or thrice, at the best of times 100 Leute passed. Especially – where there is more with that city plan, there is a whole street and the mean nights of a city.

If you sit in Wilhelmshaven in the pumpwork building, it is a konzertort and a soziokulturelles center, neither an enterprise nor another story when it comes to expanding the size and increasing the own properties of small companies.

The Pumpwerks’ previous years were established in the 1960s, as the first club jazz club; zunächst with financial support of the city, throughout the whole process. Sehr früh hat man here kannt, dass Ausgehen, Musik, Kunst und political Engagement Hand in Hand gehen. In 1976, a new region was created in which the cultural center of the Pumpwerk was established and also operated in the surrounding area. A local community is the social culture center that was such as Geburtshelfer, Wegbegleiter und Erbe privatewirtschaftlicher Disco- und Musikkneipenkultur Zugleich.

The professional, Zentralisierung und Verstaatlichung des Pop-zwangsläufig een bisschen Charme auf der Strecke bleibt, lässt ich in the Ausstellung zum Beispiel and the handwritten plaques of the Punkkneipe Schaar3Eckablesen. Whoever could not have a Konzert- und Veranstaltungsculture after their economic life at all, is likely to have a foundation of Bedeutung: as Botschaft from the Poplabor on the Nordsee.

Pop. Punk. Culture. Musikszenen Wilhelmshavens der 80er/ 90er: until April 20, 2025, Küstenmuseum Wilhelmshaven