Auftakt des SeeJazz-Festivals – Starnberg

It is us under the Veranstaltern, in the Summer holidays zu pauseieren, weil vermeintlich das Publikum fehle. This is a great time to enjoy your time and enjoy your beer garden with our faulen Tag am See entspannt den Abend with a concert to visit wollen, be sure to attend the SeeJazz-Festival. Be sure to visit more than one purchase in the Rittersaal des Schloss Kempfenhausen with their own private charm in the salon and club atmosphere. The special design for the chamber musical project, which results in the development of the original flowers, moves the different collective processes to create a special creative atmosphere, which will always be reflected in a special, well-informed festival atmosphere.

And still travel with Berlin 21 ins Schwarze. Not to be married with a new construction project, which Torsten Zwingenberger will be able to begin with. The brother and duo partner of Boogie-Lok Axel said in his own words that he would like to share his humor, with a special locker connection for public relations. 21 beziehe sich in der früheren vierstelligen Postleitzahl auf den Berliner Postbezirk Moabit-Tiergarten, die official Addresse der Band.

Wenn here we have a chamber musical interpretation that is reason, then it is not all things, that is why we read it and saw what we heard. Together with the whole family, especially pianist Lionel Haas was able to perform here with great dedication to his work, especially in his native country. Ob am E-Bass oder Kontrabass said sich Martin Lillich as der lyricer Klangbildner, dem bisweilen eher der Part zufiel, melodic zingen. These special roles depend on the composition of the ensembles. The Ursprung lies in a Quartet with the guitarists Patrick Farrant beziehungsweise of the follower Timothy Seier.

The reduction of a trio under the perception of the own characters of the band depends on the small trick in the specific auspices of the individual sounds. The Drummer and Percussionist Zwingenberger also depends on the basics, with different character-relevant sound differences, different aspects with the sound. The own compositions of the Haas and Lillich erwiesen are also reflected in the composition of Berlin 21 and the chamber musical due to the special features, which are also created in the style.

This is the result of the heritage of the formation, which can be found in the fundus with more diverse musical directions, and is still unrecognizable and therefore very sad. And with the core Blues “Ruffle Shuffle” they began in the first place, everything was taken care of, and the Rittersaal was bought in a euphoric manner. In view of the fact that jazz is a new tradition, the introduction to the pieces is unique in its composition, and the music of the virtuosos is also present.

Acoustic imitation of a fine vapor flake

The three Instrumentalists of Berlin 21 sets with a single original originality in their original content. In particular Zwingenberger, with their own heavy-duty Schlagwerk-Set schon malze Inszenierungen wagte. Etwa als Intro zu „Express Brain“, in itself an acoustic dampener along with the movement setzt, all possible with light weight, and with ease with the rest of the piece. Very pleasant description of the southern African savannah as an introduction to “Sitaki Shari” with exotic flavors and a glowing atmosphere. Die anschließende afrikanische Heiterkeit und Ausgelassenheit eignete sich glänzend als mitreißender Kehraus vor der Zugabe.

Bassist Lillich demonstrates with flageoletts in seinem Intro zu „Wedding Waltz“ in particular his creative vein, showing the light-hearted high-quality songs. “Clues” – Blues with the Latin Drive of the Cuban Clave – was especially good in the hand with the E-Bass, there was a great virtuoso part for it. A combination of Latin pieces with a combination of rhythm and „Natasha’s Dance“ by Haas. It’s super nice, that’s for sure because of the intro of the ballade “The Room”. Aber Haas used the nostalgic melody on a beautiful background and was brilliant with beautiful melodies, accompanied by virtuoso songs and wild swings in the passages of the ballad melody.

More powerful than the ballade itself, moving and being fulfilled. The broad spectrum ensures a smooth sound, with a nice funky suction, and a piece of bebop art that comes with bass figures. Dennoch kept everything consistent and stylistically consistent. And with “Breaking free” you will receive three musicians from Berlin 21 in the public as well as a package of power for your home. Die SeeJazz-Reise geht am Mittwoch auf dem Museumschiff Tutzing with „The Cat’s Table“ more.