A world theater, that’s more history – Kirill Serebrennikov’s “Legend” in Duisburg | nmz

The Bühne that is so often used, is variable with schräger playfläche and is flexible. The costs became higher, changing the Alltagskluft and the Folklorepracht. The Georgian Männerchor (Georgian State Chambers Chor bzw. Trinity Cathedral Chor, which is very active in Klammern) comes in concert, marches from the sides of the Zuschauertribüne herunter, from hinting at the stage and from their perhaps seats in the industrial cathedral a beigeschmack of Wahrheit.

Serebrennikov, one of the most interesting and interesting opera directors (including the DaPonte Opern in the Komischen Oper in Berlin, “Lohengrin” in the Pariser Bastille-Oper, “Parsifal” in the Wiener Staatsoper, and also the last Saison with “Don Carlos” eröffnen wird) that covers a musical bid and a crew of own Leuten (Kirill & Friends Compangny) and the leaders of Thalia Theater Hamburg, who is never busy with his bodywork during the trip, could go to amaze with his famous feelings.

Allein was the fantastic Karin Neuhäuser who performed a show here. If you see another theater player in stock on the big stage and backed up for their own music, that is a living legend, a Diva ist, then they parody the famous theater sounds, they will not be able to hear anything like the Wahrheit!

When you are in Kapitel bzw. der Legende, the Shakespeare’s “Lear” als Geschichte een Tyrannen umdeutet, in langen Schwarzen en Mikrophon tritt en unerwartet bezaubernd zurückhaltend the Brahmslied “Guten Abend, Good Nacht” sung and that is a real Sturm op de Heide eskalieren lässt, der Falk Rockstroh If you know that you hear the Theater glücksmomenten, the man is the best in the Erinnerung einrahmt!

Also the tree of desires is heard here. When Campbell Caspary with his painted English style with blond hair with the guitar in the hands of Leonard Cohen’s “Hallelujah” intones and the others who make a greedy Horde Ernst with his small carierten Wünschen, the man who can trust the tree with a band, then this vulture escalates to the Reichtum, Power and smallness Vorteil so, the singer is no longer self-confident, but the end is now when Gerippe sees the tree.

In the four Grosstostunden were zehn Legenden bzw. Kapitel erzahlt. From the guard, all languages ​​spread Toten on the cemetery. Of the handler, who has no money, the Ware and the Man who bring them, will be damned that you desire. From the Maler-Elite of the Passing, who collects himself in the Kiewer Museum (Dürer, Goya, Velasquez – this Price), nightly Parkett-polish and form Luftalarm in Deckung geht. If you act by hand, if you make a heart-warming weathering with all boats, this will be in your Ruhm-verkaufen. There is Ausflüge in Massenet’s „Werther“ with many Variants of Self-mortification performed. A „Lear” adaptation and Tosca are with the party. A legend is given to the Wettkampf-sieger and the blowing out of the Straflager. Jede Legende would moderate another Darsteller as his Geschichte. It is always a unique blend of music, singing (from Choral über Volksmusik bis Musical) and Performance.

It is a downright corporate collection in the work, if the window of thinking is less, then you may see the right price in the ban.

The Biography of Paradjanov is still better than that. I am the best of Serebrennikov on the occasion gleich mit. Of them, Paradjanov was achieved that a man on YouTube could give an image. With Serebrennikov he is the man who his sea-vessel in the Westen-zee better dran. In his Fall a man can nachprüfen, his power be. In Hamburg, in Berlin, in Vienna. A now-gerade in Duisburg.