Ars Electronica: CERN-Kunstinitiative erhiels Starting Prize

The Spanish Art History Bello has been leading the Art Department of CERN in Geneva since 2015. Artists and artists started in 1954 at CERN during the 1970s and 80s, while the official first cultural project started in 2011 with the “Collide@CERN Residency Award” once with the Ars Electronica. Erster won the war against the German Julius von Bismarck, in 2012 the American Sound Artist Bill Fontana followed, with “Silent Echoes” at the European City of Culture in the Salzkammergut zu Gast.

“When CERN goes with the Collide Residencies, there is talk of art-aufträge and the Ausstellungsprogramm. It is a large global network and organization organization, which with our merger and diesel vision and diesel switch-follow up”, Bello explains. On the CERN campus are 15,000 women scientists and scientists beschäftigt, on jene, the art program is developed as a large stream. “It is interesting that the art complex is an idea of ​​science that is otherwise vermitt.”

Aus Bellos Erfahrung sind de teilnehmenden Forschenden in der Lage, “Ihre Aktivitäten in een hanger Sprache zu artikulieren, een kunstünstlerischen und kulturellen Sprache. Damit ist de Verbindung zur Gesellschaft fell to be seen, more relevant and very achieved”. During the art project “see the Forschenden, which is about the Veränderung der cultural Wahrnehmung von Wissenschaft if a non-interested cultural culture is used. So learn the Prozesse von Forschung and the Schwierigkeiten besser zu verstehen, aber auch den Nutzen, den die Wissenschaft for the hat of the Gesellschaft.”

The Starting Prize is awarded in the event that you receive a reward for your personal attention to your Abteilung. It is a fact that CERN plays an important role in Europe and a representation for other people. Bellos Hoffnung is the starting prize of the verdeutlicht, which many art-making in technical and scientific research projects were involved. “If the happiness, that is the frame sliding to support them. It is no longer so and I hoffe, that is more view of more, more sources of sin. We at CERN are driven by the urge to expand the boundaries of our knowledge – as well as the artist is essential for a culture of change, a positive representation.”

Arts at CERN is joined by two works at the Ars Electronica Festival, a line of the British art teacher Suzanne Treister. “Scientific Dreaming” is the product of the Science Fiction Writing Workshops Treister with Science at CERN. If you write a plot and a story about the development of the anniversary of Arts at CERN, it has become public. “The great question was how science imagines the future” with all the technologies they buy and their wisdom in the background. “You are aging the future with your ideas”, explained the historian Bello. The second project “TAFAA – Tina unfollows Alcie” comes from the Swiss Chloe Delarue. “In a film, the role of technology in imagination is shown without reality.” A visit to see you in the new Besuchercenter CERN Science Gateway – entworfen von Renzo Piano – zu sehen.

“Every year around 15 artists come to us and spend a week to two months with us.” In this time the artists are making or observing experiments, meeting people, developing inspiration and ideas. If you look further into your article with an installation from CERN, this could be one of the exhibitions. The artist is working on an advance, often after a while before she makes the highest choice, “we are brands, the potential and the energy have become greater”, so Bello. Some artists photograph focused teams with knowledge, others hold empty arrangements and know-how. In general, it is the case that the interest of an artist or an artist is influenced by others. “If the artist and the connection with the knowledge are best, it is a matter of success, who will realize your work in collective ideas.” Zurzeit is interested in quantitative technology or cosmology and gravity. “When there is such a heavy theme, see how the Künstler reacts, in the foreground of sin.”

(SERVICE – More information at http://ars.electronica.art and http://www.arts.cern)