“I trust my life, that is my life.”

Anna Hehle sits comfortably in a dark gray shirt, her hair is bundled up. See how you are. Your upper body sees a little better when he has the Keybones. If you can speak from sitting comfortably, weiß ich nicht so recht, will have a digital impact. I am digitally looking for a large part of my work status. On the platforms Instagram and YouTube, Anna, the study of communication design, tells everything and anything, manchmal, wie es schinen mag, context-free end lines, who gets a hint of the Linse within an hour.

But please note: Anna comes from Mieming in Tyrol. A major debt of the debtor is the hint of the Nähmaschine, which is definitely the Fashionschule in Innsbruck. “I have lost my mind. I had a lot of artistic freedom, I fell a little bit on a little, I fell for the Alter, in my war”, Anna looks back and looks at her work with this Abschluss project: a solution from Wettex.

That self-life, that is “free thinking”, is always important for life, meint Anna. Ihr Papa, der Koch ist, hat es ihr vorgelebt. “While I am in a state of being, that man is not in fashion, without having to worry about living in the same way.” Anna lived after the Oberstufe a Lehre in a Konditorei absolvieren, but still in the Vorlesungssaal and stayed in front of Lebensmitteln, at Studiengang Food & Design in St. Pölten.

In the third semester, which she works at the university, Anna knows that she will continue studying and dealing with the theme Design a lot easier. So she comes from fashion to food and finally to communication design and moves to food point until 2023 to Vienna. Dort hates, “Klick” got the artist, the middle field in Munich lives. “I have a time extremely long posted, much said. If I have ever swum once and won my life, it is so that I have a good future.”

“Whoever shares his view, also brings a part of himself outside. The power of man is vulnerable and angry, he says that he is within.”

Anna Hehle

Anna realized in Vienna, when she works with other people in the background, when people can help, die Welt met anderen augen zu betrachten. “If you concentrate in this way, then you see a man in a way that the color or the opposition beispielsweise.” If there is a great chance that the potential art can be used for the community and is considered as an answer: “The parts.” Anna exclaims: “Whoever shares his view, also brings a part of himself outside. The power is vulnerable and frightening, man says that he is inward.” Art often transports time. Damit vermittle man others: “You can do that too. I must only marry”. The divorce, it was a story and it seemed that the machine was no longer working, said Anna.

In the eradication of the young art that has a counterpoint on the platform, it is so that the publishing house now has even more fun and will no longer emphasize the reality of reality. If it is good, you can do your work. “Ich arbeite recht unterschiedlich”, she replies. “The medium is often busy with photography, making everyday photography and making photos of films.”

On the social networking sites you will find videos and images that are more interesting, aesthetic, action richer than others. Rezipiert man Annas monatlich erscheinende Kurzvideos on YouTube, then notices man: Es passionrt auffallend wenig. “My work fell with my work. Unplanted Sachen, which cannot be missed in Vorhinein. Man can hardly erzwing.’ I think that the Frage auf: „Machst du das als Gegenbewegung zu den kaal no meerzudenkende Reels and TikToks?“. Anna Schmunzelt, “Yes. “Könnte man fellleicht so sagen”.

The young artist, the regular the Versuch unternimmt, Fortuna am Schopf zu packen, erzählt mir, sie beite überwiegend archiving. “Often it is first in Nachhinein, weshalb ich etwas gemacht habe”. Although most of the images in the artwork stats are not hung properly and are not included in the context. „I was very happy with my life.” Anna fell into the series. “It’s not that we are afraid, we are working hard.” If you don’t see it, zum Beispiel. Der Fokus does not lie on a best aspect, that is great and whole. This often happens in a small detail of a series.

I ask if one can combine art in good and bad. “I am inspired if people do their thing. If it doesn’t work, it’s the same. The main thing is that the person does their thing.” Inspiration often comes from false things. This theme is a larger topic in the Communication Design Study in Munich. “It is important that the idea gets a self-realization. Of course one can inspire people, the question is only, from finished facts or from processes, ideas.”

The young artist reports, it is through the consideration of other works and artists that a mistake is often made. Find all inspiration in draußen, in everyday situations, nature or also in children. “They do not know much. This unknowing often helps me then too.” However, one must inform oneself in certain knowledge, what else “does the others do to make a difference”. Then it may be that the man has found another way of working in his work, or that the work is of other jewels. “Then you see that the man gives up the ghost and thinks that, oh, he did not know. It is found if it is good. One then notes: People also think alike.” There is an unclear image, no one who copies, says the young art.

“If you can say that it is okay with me. Then I am satisfied.”

Anna Hehle

Authenticity is a fundamental principle of Anna’s work. “One must also see the sad truth.” On Instagram, how Anna is noticed bald, that she is seen differently by others. If you want to know more, it is really like that. “I made a comment about the research that the university has not done. I will not find it easy.” Humor is in art. Cheerier works are considered for the sake of humor or are brought to laughter. “That is important between nevertheless serious art.”

“If you can say that it’s okay for me. Then I’m happy. It’s not even a like, and it’s not that it’s true. Ich mache is ungestured, nur für mich eigentlich.” If Anna has been using for a long time, her work is after a long time at work. “The beginning is the toughest”. The artist can make a design in a project and will do it herself. “It’s just a matter of feeling”.

“I must be in my own work. I must acknowledge it, that is me.”

Anna Hehle

After all the work in the work and art forms, this art teacher Anna Hehle is no more. Mein Gegenüber laughs. “I know not, because I can say something like that as an artist. If it is good, it is a standard and that is not the case, but the things were found. I believe, that remains sound and that is also good.” Anna Hehle is also such a person. Man can enjoy his art.

Anna described it as relatively uninspired. „If it is good, it is a part of the Kapitelen, that is it. Deshalb has a little bit teilweise a wenig fear, how she will see her photos.’ Anna weiß, who is underneath, as she said, she was afraid of the ‘Zu-viel-wissen’. „Of course a man can erase about Sachen Bescheid, but I understand, this unbeeinflusste Art, this ,Nicht-Wissen’ can be an unglazed productive signal.“ However, Anna has Sources of the arrangement. Look at the photographers and artists Wolfgang Tillmann. I think that one of the Ausstellung of Tillmans Bildern and the recognition of the spontaneous and Ehrlichkeit hinter seinen and Annas Fotografie. „I have your autumn inspirations, I see the inspiration not in the music of the music game or the fashion marks. When everyone goes in the same direction.” If Anna has power over her own things, it cannot be otherwise, she is with me. “I must see myself in my work. I must recognize that it is mine.”

One must often see in art, who brought a work of art at some time, Anna begs. At the university it is a mess and a pleasure, that one “must say, that one brought a lot of time, to present that precious work”. Only then, when the investment round started, was it a good idea and a good thing. The value factor of time in art interests Anna. “I often like to see things that are made without fear”. When it comes to a wall of stones, it is now a stroke that sees. “You see that the stroke, where fear was. You see perhaps also that it happened quickly”, so Anna. “I see my question, fear is power and unrest. This power is no longer important.” Wir übermodern Kunst. “Mir is always around the core. In my Studium it is often an Aussehen. Are you seeing well? Viellelicht. Aber ist da was dahinter?”, Anna asks herself. “Teilweise nichts. Then I think, was it better? Aussehen or Inhalt?”

Anna has gone through time, she is good, a man who works together and deals with art relations at the university, who often does not spend a certain time. Häufig became Persons with much, or more technical, Vorbildung von dieser Tatsache profitable. „If I can find a man who can separate the Heavy Sachs, the man can learn with time and the Sachs, the man cannot learn. That must man haben“, thinks the young artist, who wishes himself, the art enterprise became more conscious for the creation process is only for the output. „I often found that it was reduced, was rauskommt. It can be interesting when a man has come his end product.“ Vice versa you also find „the process itself as interesting and interesting end product”. This Botschaft can vermitteln with his art.

Am Ende unseres Gesprächs angekommen, fragment ich Anna, was sie der (Kunst-)Welt nor Gerne Mitteilen Würde. Anna is a bigger fan of the overload. In the story of Fortuna and an unprecedented experience with a waspentlich role: “I am happy, that man can trust, that is life überrascht.”

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Die Arbeiten von Anna Hehle und öhren Jongen Künstler:innen sind noch bis zum 29. August in der Kunstwerkstatt Lienz, Mühlgasse 8a in Rahmen der Ausstellung “Nähen”zu sehen.