The pop musician Elvis Costello was 70 years old

Was there an Art Musiker who inspired Elvis Costello? So that is the man who “fits the Abgenutztheit and Hilflosigkeit of the Labels in keine Schublade” weiß, in seinem Fall will not be easy to see. All in all the Debützeit is such a great variety of works with “Alison” (1977), a Jazz-Soul-Ballade, “Watching the Detectives” (ebenfalls 1977), an Art Punk-Reggae, the title of which is by Costello’s Meta-Position in der popmuziek verrät, and „Pump it Up“ (1978), which is a satirical homage to Bob Dylan’s „Subterranean Homesick Blues“, also with classic Rock ‘n’ Roll, with the most candidate text that is even more unused music.

Costellos Erscheinungsbild trug nicht zur Klarheit bei: Mal sah is with his eyes brilliant as a Zukunft-gebeamter Buddy Holly, then who is a Rockabilly-follower Elvis Presleys, with Haartolle and Sakko (my Manager riet dem as Declan MacManus in London Bornen and if you are a DC Costello with artistic talents Elvis), then who is a Jazz musician or who is a Mäzen in this Black. When War had never been released in 1981, Nashville Country Albums “Almost Blue” were released.

Although Costello often notes that the other party is neither other damals, it is so that music players like punks think that their stories during these rebellious periods are – and when there is one on the American TV show “Saturday Night Live” by the plant “Less Than Zero” “Abbrach with the Worten “es gibt keinen Grund, diesen Song here zu spielen”, and the statistics of the average “Radio Radio” initiative, was probably the reason that the producer had received from Lorne Michaels to see the best results. Despite Costello being not of the type, the standing announcement: Also his song “Riot Act” is an introverted ballad.

If a hut gets a kriegt as his musical commitment Allenfalls, if a man thinks, it is so that Linie as a composer is rewarded. Then it may be that you have done a service in the song poetry, so that you can change the style and facets. It is one of the many years of collaboration with the best results, and the songwriter Burt Bacharach, the producers of T-Bone Burnett or Allen Toussaint. In the Neunzigern was Costello das Spektrum noch Richtung Klassik with the Brodsky Quartet or with Anne-Sofie von Otter.

A gefahren brought die enzyklopädische or archiving Ansatz des Songschreibens with sich: de ergebnisse bisweilen etwas kalt or mechanical work, wie an Art Lehrermusik – denn wohl no one can in all Stilen in gleicher Weise authentic work.

I may be a Costello-Aufnahmen guy, but it’s often the case that the Eindruck has a great experience in the Herz. Other people who play the soul ballad “Little Triggers” and start songs to bring out, are the inspiration of (and the heritage with) the jazz singer Diana Krall who starts. So the Alben „North“ (2002) and „The Delivery Man“ (2004) are read out, letzteres for all aspects of the Meisterwerks „Country Darkness“.

Zuletzt hat Costello aber wieder the Schleudergang ended. Auf Alben wie „Hey Clockface“ (2020) und „The Boy Named If“ (2022) plays there in the fast-moving Rock, that man is his own: Dieser Mann will immerse and will be with the Tatsache, that will be his son. , kaum beirren lassen.