Start for Festival der Alten Musik

In Winklern bei Maria Saal the musicians and musicians lived and listened to their time in Carinthia. Lèna Ruisz, Musikerin aus Ungarn: “I lived with it, I loved it, I loved it, I loved it, I loved it. And yes, many games can be played. It’s a big family. At a normal festival, the man lives in a hotel and then the man goes to the probe and then the man is alone. Also, well, here’s a man who lives alone.”

There is no fruitful Konzerte

In Haus von Stefan Schweiger, the intentions of the Trigonale played out for most of the day: Seit 16 Jahren führt is the Trigonale and how the Festival has a strong profile in that Zeit. Musikalische Stangenware, als vigtige Konzerte, gibt es keine: „I am in my own right the mind of the idea, of the right, we are with a well-known music. When the program got going and there were no more problems, this separation was incorporated into the music and the core of the music. Wer soll besser darüber Bescheid Erase, was the functioning of the Künstlerinnen and Künstler himself?

Music brings a week together

For the opening concert in the Rathaus St. Veit there will be Jean-Philippe Rameau’s Ballet toper “Das galante Indische” – über Liebe, Tod und de Urgewalt der Natur am Programm. Stéphane Fuget, Cembalo und Leitung: “It is especially important that the Trigonale is best, that Stefan has good music and that he or she spends a few weeks together and that the music is his work and his work.”

Am Samstag since you can hear the Pariser Quartette by Georg Philipp Telemann. Lèna Ruisz: “It is interesting and passionate. We will have a reformed ensemble.”

“Come. Sees. Hört. Erlebt“ – so let’s hear the motto. If you buy the Trigonale-Neulinge-Conzertkarte-kostenlos a few years later.