It is only the name Anton Bruckner

After one of the most popular festivities on Sonntag (8 September) at the 48th traditional Herb Festival for Anton Bruckner in Brucknerjahr, the audience is en masse strömte. I think it is not good.

Were it open, deutete but it was different and as that was done Prozedere. No one can wonder whether the situation of the Brucknerhauses in the Köpfen der Toleranz übenden Besucher and one of the most common people in the program is schickt of the problem of the home situations, can change.

It counts yes without only the known name Bruckner and his music. For the musical part, the music of the new age is of the genius place, quasi the historical music of the symphonists.

The Bruckner Orchestra under Markus Poschner has expanded the Favourite Composers of Chefs mit Leidenschaft with music for the 200 regents. The birthday of the entire year began on 4 September 24 and began to enjoy itself for a long time on 4 September.

Fünf Orchesterstücke von Bruckner sees the party and weiteren musical works were created. Das Chorhaus Frohsinn, een Heimat des chorverbundenen Bruckner, stellte sein ganzes sängerisches Potenzial der Auführung der Bruckner Hymne von Wilhelm Floderer für Gemischten Chor a capella from 1886, 1894 zur Verfügung, die der Chor der Linzer Akademie, der Hard Chor en seine new generation under Alexander Koller is emotionally charged in the demonstration präziser Tonalität.

The work wurde 1841 in the Linzer Volksgarten zum Geburtstag of the “Liedertafel Frohsinn” in the Beisein von Bruckner was sold and gilded as an archive jewel in the Räumen der Linzer Singakademie.

But there was a Brucknerfest with an Auftragswerk and a number of contemporary composers. Johannes Berauer (born 1979), who for his new, intense action and konnte by the original art makes a typical Bruckner homage with seats and stylistic light überzeugen.

Berauer, the man who is one of the best tone setters, is a treasure, who has produced an Instant on A Smphonic Life in eleven Polaroids with Uraufführung, which is presented as a Schnappschüsse of different photography and is thought as a Burtstagsalbum for the Jubilar Bruckner.

Darin is Bruckner-Motive with a new symphony with a “red fade” written from his text about a tongue-like work, soda man licks, Berauer was taken with Bruckner through his symphonic life and his language in a varied sound journey through the art of singing.

Anyway, the music hates the sagas at the Brucknerfest. And that is really so. And so much fun with all the musical performances and performances of the festivals, one of the verbal sounds as the idiosyncratic performances of the Linzer Jahres festivals. On October 11th is a hereditary Verlauf bis auf Weiteres.

By Georgina Szeless