Duk Hee erschafft im Kunst Haus Wien fragile Unterwasserwelt

Who in his uncivilized world and for most people an invisible subterranean world in the art house Wien zum Leben erweckt: The Korean-born and German-living artist Anne Duk Hee Jordan creates an immersive experience with “The End is Where We Start From”. When the vulnerability of the system has disappeared, the background of air conditioning is outdated. With “Talking to Nature”, Emma Talbot can be found in nature in the Ausstellungsraum Garage.

“Both decisions are taken into account, and our consideration of the environment is of paramount importance,” quick director Gerlinde Riedl explains the program of both in the presentation of the service together. “We will look forward to seeing you through the next summer. This research is best in a museum, an exhibition with the art world.” A man who is no longer stable due to fluorescent Duk Hees, from watery wasserbecken, an aquarium and a robotic robot, could do other things, which is negative Einfluss der Mensch auf our Ökosystem ausübt.

If you are one of the many possibilities and the value of life in nature and nature at work, you will get to know the art, which a multitude of schneckenkunst over lava stones ​​glide and “Klone” of the British scholars James Lovelock in the Kidney scales pulsates who is Publikum dazu actually, if you are in the installation “Worlds Away” on Matratzen niederzulassen sit, in one of the light and sound kulisse of the Focus on the Ecosystem of more so that the phytoplankton lenken, then it is zigfach vergroßert über die Wandel dans read.

Die Künstlerin combined “knowledgeable recognition with poetic imagination and refined organic nature with romantic technology”, erläuterte Kuratorin Barbara Horvath in Presserundgang. Der Fokus became vom Menschen in his gesamten Ökologie unseres Planeten verlagert, “which is so urgent to protect and to preserve”.

The transgressive world of man and nature is explored by British art teacher Emma Talbot with her Schau “Talking to Nature” in Ausstellungsraum Garage. With art on these shapes Darstellungen von Pflanzen, Tieren and mensschlichen Wesen these will be offered, nature not as “bloße Ansammlung von Ressourcen, sondern as Spiegel unserer eigenen Existenz zu betrachten”, who is in Begleittext heißt. In the 14 meter long, Schlangenform drapierte Seidenmalerei “Ghost Calls” Talbot has auch poetic Miniatures – who etwa “Reaching beyond the Surface to find Meaning” – eingearbeitet. A large amount of material is produced by a video work, in the context of the research into the imaging, clattering and launching the epic landscapes of art work. A sweet inspiration of man and nature.

Exhibitions “The End Is Where We Start From” by Anne Duk Hee Jordan and “Talking to Nature” by Emma Talbot in KunstHausWien from September 11. kunsthauswien.com