Munix’s FOMO: Robert Frank: artechock

A retrospective of film maker Robert Frank at the Film Museum Munich

By artechock editorial

Robert Frank, from the photographer, as filmmaker: with a spectacular retrospective original from the Film Museum Munich that has its new performance this week. »Seine Sprache sind die Bilder«, writes the filmmaker Heiner Stadler in the past of the Reihe, and that is not a single line that has substance. As a photographer, his work is published in photo books in series, and as a documentary filmmaker, there are also documentaries. »Auszeitgebundenen Einzelbildern zijn Bilder über die Zeit«, heißt es bei Stadler.

Berühmt would be for his documentary photo series “The Americans”, which contains a festive film in a photo book and damned dramaturgy and narrative stories. Weniger can make more films that were realized in the field of the Beat Generation. Adaptation is one of the methods: there are cut-ups, descriptions and destructions, everything that has to do with the editing of the art in the cinematic material of the ready-made material.

In collaboration with the Museum of Fine Arts, Houston, and the Munich Film Center e.V. said that the Film Museum is releasing jewels and Saturdays until 28. September 15 short and long film by or about Robert Frank. There is Laura Israels Documentation Don’t Blink – Robert Frank (2015), the 92-year-old Robert Frank about his life and work activities. There was a German-Jewish trip in 1947 from Switzerland to the USA and he made a fashion photo, went on a trip to the South American continent and appeared as a photo reporter. If the Tätigkeit is here, then “The Americans” is on the new Landsleute. About Jack Kerouac comb his Beat Generation and bare recording of his first film. (Friday 13.09. 21:00)

Please send a message to the film at all Pull me Daisy (1959), gilded as a symbol for the New American Cinema. Gedreht wurde in een Irrenhaus, der Film een ​​​​​​some Provocation. Am Spieltermin im Filmmuseum became uauch Energy and how you get it (1981) with William S. Bourroughs and Robert Downey, anyway Moving images (1994) with Allen Ginsberg said. (Friday 20.09. 21:00)

American avant-gardist Stan Brakhage has made Robert Frank films in his family. In Conversation in Vermont (1969) there is my children Andrea and Pablo in Vermont. A moment when Andrea spent his last years and Pablo no longer made war. The dark honor, that he takes his daughter, is Life Dances On (1980) gewidmet. Who is there after Themen rang, said The present (1996), eine Art Tagebuch says creative Schaffens. (Samstag 14.09. 21:00)

The film is set in the “serious” world of film. Ok End Here (1963) said that it was attractive to place the Nouvelle Vague on American art history. Bond Candy Mountain (1987) co-wrote with Rudy Wurlitzer, the author of Monte Hellman and Sam Peckinpah. The story is more independent: In the Roadmovie it is one of the greatest musicians who is the best guitar maker in the world in Canada.
(Saturday 21.09. 21:00)

If a long film is a work, then Direct Cinema is available. In Me and My Brother (1965-68) there are production gestures in the seemingly only filmed. Paper Route (2002), there is a lot of documentation in Switzerland, which is very important. Tunnel (2005), in which Schlachtung eines Stiers durch Mozart überhöht wird, and Delirium border. (Friday 07.09. 21:00)

Zum Abschluss der Reihe is not just a legend. Dick Sucker Blues (1972) played the Rolling Stones for the room, with Andy Warhol, Truman Capote, Tina Turner and others. There is a war going on with the Stones, the wool where Frank is in his Auftritte film. More interesting was Backstage geschah: Sex, Drugs & Rock’n’Roll. The film wanders through the gift list of band history and now only dares to wait a few years. The Stones image free has of course not damaged the film, but in the genteil. (Saturday 28.09. 21:00)