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The Hospizverein Holzminden das Jubiläumsjahr started with “Sarggeschichten”

The Hospizverein Holzminden das Jubiläumsjahr started with “Sarggeschichten”

Timber farm. The Hospizverein Regio Holzminden eV has received a Silberjubiläum with a Reihe von Veranstaltungen zu unterschiedlichen Themen innerhalb seiner Kernkompetenzen. A davon is always auch der Tod in the regret of sterbenskranken Menschen. The Verein Fachkompetenz from Berlin is located in the Thomaskirche in front of the Auftaktveranstaltung. Petra Schürzeberg made war with the book “Sarggeschichten” by Sarah Benz and had all Hebel in Movement gesetzt, an authorization for a lesson zu gewinnen. There is a place on the Platz that fills the Kirche, which makes the theme of man more interesting.

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The study of the social struggle against Sarah Benz is a war that can be waged with the largest front. The father of the best friend and co-author Kathrin Trommler has an unsatisfactory experience. When the children are the fall of the fathers, the grumbling in the hospital is like that. Then the father dies, “… without his being seen again.” The friend does not lead together for a long time.

A humorously written book in Tabus

Few years later Kathrin’s brother Ralf died, Sarah’s first friend. If his best friend Thomas is an AIDS-affected, Sarah Benz knows this Theme. With Kathrin Trommler has made a new film, while there are many people who look at others, without any doubt with most people. A book of their own “Sarcastic Stories” work both women two years. It was the first time that an English-language Crime was a humorously written book, that it was a completely different tab and gave clarification.

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“Der Tod ist nichts Gruseliges”, Benz said to the people who fear fear. “Was we about the Trauer und Bestattung erasing sollten” said about the subtitle. For good communities of Bestatter-Rat: “See if you can come to me next time, see if you can come back!” You can still find something unique in your own way. A letzte Berührung kann Trauernden sehr helfen. If a kind of war is reduced by Omis, expect that Omi with a Stück Schaumstoff van de Nachbarze trennte, a Scheuerschmerzen zu avoid. Totenbett is not one of the few things that illuminates the light of the grandmother and the power of the lesser.

Clarification without Tabus

Sarah Benz made a comment about the offer of the Leichen, that man is no longer in the best condition of the überlassen müsse. “Viele nötige Utensilien haben Sie zu Haus, das meste können Sie in Drogerien.” Other days could now be done professionally. Offene Münder von Verstorbenen cann man nicht een schließen, sie müssen zugenäht zijn, Benz painted diesen Vorgang ausführlich: “So was müssen Sie erasen, before they could be separated.”

It is a clarification. How the best deal went, is incomprehensible, because the fragmentation: Darf man die Toten ins Krematorium begleiten? Yes, man, wen man das möchte. Must I buy an urn? No, an ash capsule is required. If you use a self-chosen machine, you can no longer use it now, but also no ceramics. Selbst Särge can be a man, while washing, build yourself and the Ash a Vertorbenen can also be aufgeteilt worden. All people who come into contact with each other, and the space in which they are located, will be removed or evicted.

The Bestattungsform Re-Erdigung wirft Fragen auf

Another lady from the audience starts with the relatively new paving formulation and: Then the sterbliche Hülle will be quasi composed and after 40 days bierdigt be. When it comes to processing, the energy can no longer be used. The most important thing is that the Gesetzeslage (Bestattung ist Ländersache) is not clear and not all Friedhöfe take that. It may be that you are not on the Friedhof, somewhere in the Friedwald. A re-erdigung in Friedwald is not possible, the authorization has disappeared, “but perhaps that comes around.” “Well,” said the Lady, “then I will go again.” Damit had she the laugh on her page.

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It was laughed anyway, it was astonishing, the man with serious themes with humor can be treated, ohne die Würde zu verlieren. If you start, if you do not inform more, you can not wait to put Sarah Benz on the second row, so that the keyboard itself is available. The Mutmacherlied “Auszeit” has started to make a start for a entspannte atmosphere, the second song war is a relief: a family that is bitten, for the verstorbene Kind, the great atmosphere, a fitting song to sing. We do not want to find a war, but Sarah Benz has written a song that is performed in the Thomaskirche. For the accusations and accusations there is another story, that individual people can say that totten can no longer be excluded.

‘Tod ist immer da und wird immer da sein’, said Sarah Benz in the epilogue, nor one of the things that was not possible, if it were used differently. The jubilee songs were repeated four more times by the Hospiz-Vereins.

TAH