“There has been brought to my Kino”: Quentin Tarantino shows great results from Regie-Vorbild – Kino News

Kaum ein Regisseur has written such an unprocessed handwriting with Quentin Tarantino. Zugleich hat der 61-jährige a secret of power, that is an enormous outlier on the rich scale of the cinema history: Cult hits with “Pulp Fiction” or “Kill Bill” that are now so good for references and Tarantino’s favorites from Martial Arts, Exploitation, Western & Co.

It seems that the film “Once Upon A Time… In Hollywood”-Schöpfer does not attend film school, but that his knowledge and know-how itself play a major role – and in the Zeit as Videothekar, which is there it is such that the film is not so easy to see.

If I am Conversation with director Alexandre Rockwell (with the Tarantino for the episode film “Four Rooms” along with the hat) after seeing the Regie-Vorbildern is fragmented, the filmmaker on Anhieb drei Namen for:

Howard Hawks (the “Scarface” Original, “Sein Mädchen für besondere Fälle”), Nouvelle-Vague-Legende Jean-Luc Godard (“Außer Atem”, “Eleven Uhr nights”) and Brian De Palma (the remake of “Scarface”, “Dressed To Kill”). “I have all three unknown things,” says Tarantino.

Howard Hawks takes Tarantino from Erzählen, Brian De Palma from Kino

When Godard has the power, there is unity: So treasure is only “the father of Godard”, then that’s it – so that’s a production company “A Band Apart” after a good film. Von Hawks (the Western “Rio Bravo“to Tarantinos absolute love movies gehört) wiederum habe is vor allem gelernt, “who man a publikum unterhält, who man is fesselt.”

„There were a history book“, but the „Inglourious Basterds“-Mastermind weiter also. “Night plot, plot, plot. History! Under the question of who creates the human being who is absolutely committed.”

One of the greatest films of the film industry that misses Palma’s Thriller-Meister is that Alfred Hitchcock’s attention stops. “De Palma was brought to mir das Kino,” so Tarantino. “For me, there is the most cinematic director, it is possible.”

It is absolutely a shame to say: Hawks has said in his own words, whoever perceives – and De Palma, in the photos and movement always a first position, whoever conveys the perception in a visual form. If it were true that Godard thought Tarantino had offended himself – man can no longer have spectacle, then it is worth starting with his house and traditional skills.

If you want to delete, then you will find the critical thriller for Tarantino one of the “coolest and most exciting experiments of the Kino”, then the following article will not appear:

“Ich habe ihn geliebt”: Dieser Thriller-Flop is for Quentin Tarantino “a cool experiment in the description of the Kinos”