Brasiliens Meisterfoto Salgado über Musik, KI en Selfies

In the Center of the Beautiful Liszt-Saal der Alten Oper in Frankfurt, surrounded by gold-plated Säulen and Spiegeln, a small Tisch by the Brazilian Photographer Sebastião Salgado sits and is sung. So Einfach. We will meet for an interview.

Herr Salgado, Ihre Amazonas-Bilder was said by Musik von Heitor Villa-Lobos. The HR Sinfonieorchester played under the direction of conductor Simone Menezes. Was das Besondere a diesem Konzert?

Erstens, with woolen de Amazonas. Whenever you come here, think of the Dominant Class. We will look at them as Verbündete gewinnen, an Amazonas zu schützen. You can enjoy the music of Villa-Lobos. De Mehrzahl knows the Bachianas and the Sinfonie. With woolen colours, the Villa-Lobos for the Amazonas komponiert hat. There is a Floresta do Amazon Suite componiert. The Brazilian Musikakademie has reduced the suite from 75 to 43 minutes, but it is a more powerful concert. I have the same sequence as the Suite appropriate Bilder zugeordnet. If you have 500 thoughts, you have to acknowledge it, but the image is the best. The first part of the music is called “Der Wald”. I want to see the Größe des Waldes. Deshalb has used the air force. The second part is “I’m Wald”. Vom Inneren das Waldes can not make the dimension bigger. Der Wald is closed. Deshalb has now taken photos, which have started with the start of photography. Ich fuhr the river is up and down all the time. In the Amazon, it is not separated from the water level at a distance of 25 meters. The river is then a hundred kilometers wide. The trees are half under the water. A man navigates with a ship in the forest. When the water sinks, it is more a matter of time. The people are making fire in the Amazon Rainforest. But I have not made a picture of fire. If you think that the pictures were taken of volcanoes and atomic pills. But that is clouds. If the female music is used in the image of Women. If you are a maskulinist, von Männern. I did not do it well.

Would you like to photograph Sie Schwarz-Weiß? Die Welt is a bunt.

I have experience with photography. Since the eighties, the magazine “Never Again Black and White” has been published. I have worked in Germany for “GEO” and the “Stern” magazine. The last shadow, which lives in color photography, war of the 70s. The annual revolution of the Russian revolution on the Red Square in Moscow, a photo for the “Life Magazine”. But color has been poured into photography. Color pictures are a high-contrast representation. When I take pictures here, then my search for my head. Then the rot in the image is probably so heavy. Black and white is an abstraction. It is a path that the photo Würde zu geben is. Outside, the Black and White photography was also cheaper. Thenn has a gift in the Brazilian Goldmine Serra Pelada photography. I lived there in 1980. My wife and I were political refugees. Zum Schutz vor der Diktatur lebten wir in Paris. The first year of the dictatorship in 1986 began in history. 50,000 Menschengruben nach Gold. I was happy for the „Magnum“ four days ago. Live with life and enjoy Schwarz-Weiß photography. Tageszeitungen haben so etwas damals veröffentlicht, Magazine nicht. These photos are different. Look in the “London Sunday Times”, the major European magazine, in “Paris Match”, the “Stern” and the “New York Times Magazine” in public. In 1987 the comeback of Schwarz-Weiß photography was a.

What role did the Spirituelle play in your pictures? How can it be that the Hauptrolle is used?

I am not religious. I am not a sly one. Photography is your soul. It is an art to think. It is my origin, my heritage. I photograph with my head, with my best mood. I photograph with light. There is a lot of baroque in my pictures. I come from the baroque city of Brazil. That is my origin. In the brutality of a section in a statue, there is everything there is. You can now have a good idea of ​​the machine, it is likely that you identify yourself. Then you find yourself in it. “Exodus” is actually my own history. “Workers” is my history. I am an economist. I am a war Marxist. I have war between Maoists and hippies. I think the task class is very heavy. This is the part of Wirtschaftskonzepts. When I am working in the states, while there was not yet a single machine, one of the photographers, before he changed. It is a total identification.

Now comes the AI. They can quickly make everything with photos. Images were used, it is a gift. These photos can be displayed on your photos.

I can mach with my photos, the images weren’t even supposed to show up anymore. We could compose Beethoven-Musik with KI. Aber das is not Beethoven. I am connecting Hoffnung mit KI. Wir machen unsere Welt kaputt. Kriege. The most important Wald der Erde in Amazonas. Die Deutschen haben Schlimmes gemacht. It is possible to work with a non-intelligent power. Were weiß, but can we have another sense of direction? When the Hoffnung has started, AI is smarter.

Do you want to have your selfie taken?

My last selfie? I haven’t taken a selfie yet. No. It’s a mirror, an image of the mirror of your machine. I take pictures of others, but of myself? No, this is a thing of the past. If you are into photography, you can get a gift.

2018 came to a close Fire in the Brazilian National Museum in Rio de Janeiro. 2026 is another success. Unterstützen Sie den Wiederaufbau?

I’m not involved. Then no one fumbled. Es geht um sehr fell Money. Weil is a large Museum ist. Brasilien hat sehr vee reiche Leute. I can work with my photos, but not with money.

If you receive the Friedenspreis in 2019, do you have no contact with people in Rwanda or Amazonas?

I have had so much friendship. Amazon is a company and has no contact with him. In Tabatinga im Osten Brasiliens is produced. If you run out of treibstoff, and one of the things you come across, it is more Tage. I have an idea and say ‘I don’t want the indigenous population to stop working.’ So I have an idea, which is broadcast in Tabatinga Solarstrom. As long as Strom can erzeugen the indigenous acai powder and teilnehmen the Fairtrade system. A friend is a friend. This art of photography is a form of mache. Much more, if there is no more photo.

Ihr Vater hatte damals auf Ihrer Farm in Aimorés im Bundesstaat Minas Gerais das einzige Radio der Gegend. Do you want to know what the music of Heitor Villa-Lobos is?

No, but through the radio I learned Brazil. The Jangadas, the beaches, the adventures, the music of Paraguay. All that war in my head. I have not seen a single image. I have always given me a picture of the in my head, what I saw in the news. My father had a bull, who was necessary after Campos. That lasted with the horse 45 days. It is possible to sing everything. There is a Jaguar active and a music player for his power. Then you have a great music experience and a great music experience. From Villa-Lobos has heard chorinho, a typical Brazilian urban pop music. There is a bigger opponent. There is so much popular as classical for the piano composer. Last I went to Vitoria. Dort sang in the choir. I began the sacred music and sang Messen. I met Lélia, my Frau, during the war of 17. In war 19. I think I am a little loaded and played Chopin for my Klavier. I see how I am in Paradies. I have wept a little. So I have known classical music. Lélias Mutter sang in the choir – and the choir sang the music of Villa-Lobos.