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Roli Mosimann – vom Thurgauer Drummer from New Yorker Musikproduzenten

Roli Mosimann – vom Thurgauer Drummer from New Yorker Musikproduzenten

Roli Mosimann, drummer and music producer, from Weinfelden in New York, a music historian for writing, died 68 years ago

Roli Mosimann's Stil, the Swiss Young God's gross power hat, war in New York fragmented, by Björk and the Sugarcubes, by New Order or Marilyn Manson.

Roli Mosimann’s Stil, the Swiss Young God’s gross power hat, war in New York fragmented, by Björk and the Sugarcubes, by New Order or Marilyn Manson.

Magdalena Ucinska

There is a war over a pioneer and an inspiration. Seine Offenheit created spaces for new sound worlds. There is a war for the best drummer in the world and a pioneer of industrial rock. When studio engineers and producers have power, the first music princes are possible. Roli Mosimann «war real rock’n’roll and how it is’, said singer Jojo Mayer. Erlebte Mosimann als furchtlose musiker, rebellious, as one of the thoughts of the Strich, as one of the greatest Swiss musicians and producers.

“There was a musical Freigeist, a Soundsammler, Researcher and Analytiker”, also thinks Suzanne Zahnd, Musician, Author and former Radio Editor, there was a manchmal nächtelang through the equipment, but in his most recent, was very long. When I am aware of the war, I think of another music.

If Mosimann comes from Switzerland, that’s how it is. In New York, the music music is played. In the 1980s, the new technique of post-punk and Mosimann began the roles. There changes this phase as an instrumentalist with the new technology. If Mann is a Fluglizenz owner, he can quickly get lost. There are sounds of big bands with the young gods.

Roland Mosimann born in 1955 in Weinfelden, Thurgau. He lives in modest relationships. In Weinfelden it is not that we are bought, like cigarettes and records. But he releases the music himself with a quiet sound, from jazz to rock to Latin. ‘If it was interesting, then I found something that is so nice. If I am obsessive, it is a thing. Eine Lehre focuses on Zurich, plays in Latin bands and plays a role as a music producer in the Werbung.

1980 sees Mosimann in New York, on the Bau, jumps a, if you a schlagzeuger braucht. Suzanne Zahnd said that the war in New York was an investigation for one of the fragmented producers and that the dangerous band from Switzerland knew nobody. The power is a Freundschaft and a Liebe zur Musik.

In New York I see for eight years many people in clubs in CBGB’s, in Pyramid, in the dancetaria or the Roseland, and the schicken discos. Playing great bands that are bigger than the older years, and Lou Reed and the Ramones. The genre boundary became lighter. Roli Mosimann is a drummer with the Swans, the legendary Konzerte is so intensive that he is so highly valued, that the man who merges Zuschauer and Sicherheitskräfte eingreifen. If you take the longest route through the Sound, it is not often that with an uncannulated Kraft, the konnte is one with blooming flowers. There is as the best drummer in the world the “fast schon sakrale sound” emerged, so Suzanne Zahnd could umwerfen an own buchstäblich.

Danach played with James Thirlwell with the Duo Wiseblood. One of the best music in the Ritz-schreibt of the New York Times is an interesting music, of the Mosimann beats that are a sweet love. The Industrial Rock is a real recommendation.

With the expansion of digital technology we can take over the role of music players to the production. Then the Elektronik-schneller with a soul like the Tontechniker will do one thing. Schnell knows that it is so, and it is a fact that with the Drum-Machine it is as good as possible. “There are manuals, like other cards, said Jojo Mayer and his mother, who gave Mosimann an idea with Madonna, in the New York world, who lands all the kannte and hits, and with Björk and the Sugarcubes. All wool in the studio include The The, New Order, Celtic Frost, Marilyn Manson.

“Technologies with sampling in rock music that integrates the pioneer war, with the role of the Türen zum Industrial Rock stepped up hat”, Jojo Mayer thinks. In 1986 the young Young Gods from Geneva appeared. There is never an effort to produce the album. A year was the debut, which appeared on Sampling and Live-Schlagzeug, and power furore. Criticism of the music of rock music. End of the 1990s began the long career with Jojo Mayer and his Band Nerve, who in New York in «Prohibited Beatz» events with the DJ culture and jazz improvisation and Roli Mosimann as sound engineer for live mixes. The spontaneous interaction between the players and the band is an undisputed terrain and goes by.

The seeker sees further. In Poland, where the family lives with the family, there is a new concept after and open a Studio, the time of a hotel is. In Breslau, Roli Mosimann is dead. Men’s hat in a Magician and Tonbildhauer generated. Music must sound as good as the musicians imagine, said there. As a producer of your product, see the art.

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