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So exciting during the New Year in the Frauenkirche

So exciting during the New Year in the Frauenkirche

Dresden. New insights and fresh impulses – the team of the Frauenkirche Dresden has put together a guest and vielfältige program for the Konzertjahr 2025. From the Renaissance to jazz, from classical music from the Middle Eastern music to modern American sounds, the spectrum of around 100 performances – including concerts, organ performances and formats for young audiences – is complete. It is a fact that the common-interested Foundation Frauenkirche Dresden, as a non-subsidized cultural provider, offers the performances such a large scope of a re-expenditure.

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Musikalisscher Pate Bach in the Zentrum

“I am 20. After the New Year’s Church, there is a musical foundation for a shared life together, such as the joyful moments of a healthy life,” thus Stiftungsgeschäftsführerin Maria Noth am Donnerstag bei der Präsentation des Konzertjahres. That music is, in all cases, from small to larger, a more Austausch entstehe.

New organist takes over

Nothing can achieve a multifaceted program, but also the new organists Niklas Jahn, one of the most experienced artists with the artistic director Daniel Hope and the reichenexperience of kantor Matthias Grünert with his 20 years by his formed klangkörpern des Gotteshauses. Mit Letzteren is another music patent of the Frauenkirche, Johann Sebastian Bach, in the Mittelpunkt. There are major vocal works – the St. John Passion in the Karfreitag, the Moll Messe in the Trinitatiszeit and the Weihnachtsoratorium in the Advent – ​​brought to the Aufführung.

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A Vielzahl of the music director Daniel Hope has filled the program so, with new klangliche Querverbindungen at the end. “Music is inspired and inspired – then, when the borders of the world become larger and a part of the time will last”, so the well-known Geiger. The musician himself would be happy to experience evenings. So plans another in the concert “Überm Sternenzelt” which is a double concerto for violin and viola by Max Bruch. Or the program “Dance!”, which is a year-long music history leaders soll. Under the motto “East meets West” is Hope and the Tabla player Shahbaz Hussain in the musical mentors Yehudi Menuhin and Ravi Shankar an interplay of thoughts.

With an excellent credit rating, Daniel Hope can create a fine portfolio for the Frauenkirche and the prosperity of Daniel Hope.

Maria Noth, Stiftungsgeschäftsführerin

“If you have found a Creativität, you can find a fine-tuning for the Klangraum-frauenkirche and the weltoffenheit, which dominates in the music program, which has produced a musical portfolio. We will see, that will be the best in 2019 and an inspiring partnership that has come about a year later in 2031”, so Stiftungsgeschäftsführerin Noth.

One of the innovative music projects 2025 is “Die stumme Kantate”. From two Bach cantatas, bassoonist Burak Özdemir and the Ensemble Musica Sequenza slide into a Passion work that the Leiden story tells Jesus without words. No less attention is given to one of the mandolin virtuosos Avi Avital and the Venice Baroque Orchestra, with Vivaldi’s ‘Four Seasons’ in a Fassung for Mandolin translations. Music that contains the meaning of music comes from the Lithuanian accordionist Martynas Levickis, the mission of the mission is the Klang instruments on the classical musical instruments – with works by Pizzolla and Bartók in the packaging. Weiteren Künstlern, who was heard in the Frauenkirche of his life in 2025, and the pianist Herbert Schuch, the Schumann Quartett, the Stuttgarter Philharmoniker who – teaching – Corinna Harfouch.

The completed core organ of the Frauenkirche ensures that its own and new Acoustics are set.

Niklas Jahn, new Frauenkirchen organist

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Am ersten Advent 2024 with Niklas Jahn in his Office as Frauenkirchenorganist eingeführt. “Die Position is the wonderful location, the facet realm of organ music is presenting and strengthened by my improvisation itself”, so of 27 years. The core instrument that the Church presents is own and new Akzente to set.

As soon as the plans for new music do not take place in the western world, it is possible to play a concert in the music of the Dresdner Orgelzyklus. Some of the terminology is an organ spaziergang in August, which is in the Dresdner Kollegen-domorganist Sebastian Freitag and Kreuzorganist Holger Gehring sits on the instrument of the two Nachbarkirchen führt.

SZ