The film industry “court à sa perte” is the producer of “Die Hard”

John McTiernan, American director of Die HardNow that we have given up on the promise of a film 20 years after its production, this is an undertaking in the AFP that is critical of a film industry that has the mainstream of the ‘gestionnaires’, that ‘court’ is perte ».

Question: Our intervention during the European Fantastic Film Festival in Strasbourg is that you look through three film projects, non-Western. Is that something?

R: «Je n’en sais rien. Peut-être jamais, on verra. »

Question: Qu’est-ce qui vous bloque?

R: “L’argent. If you are a year old, many American film studios have a great speed in the industry. Maintenance, the people who manage the studios, are no more than the film productions. It is one of the gestionnaires. When the product is produced, this is a report. If you want this, the font of the adjustments is the comic strips. While it is not possible to see films about wealth, it is not true that there are films about wealth. Find a solution: to choose honestly films about the people who do it. There are many genres that last six or September. Westerns: six, September years. Polars: six, September years. Each mode has a duration of six, September years. And the font of comics adapts from year to year! It is a part that is the most popular, a part that is a political solution for the companies that direct the studios. »

Question: Is it true that the studios that are rich are always the same, right?

R: « No, no, no, no, no. It seems that film productions are important. If it’s good, it’s a nice prize, but it’s not as rich as at this point. It’s not a billionaire. All of Kubrick’s films have a message, but not only the films are available. It’s an industrial court that does this kind of thing. Cause of Covid, plus staff sitting in the cinema. The déjà-arrivé in the 1950s, when television arrived. The generations that run the film studios are always busy making films. It is a fact that the new films, the big amounts, better quality, beautiful colors, and tout ça. People are back in cinema and a march of 50 years or more. The people who maintain the font, it’s not like the administrators are pouring out their wealth. There is a difference between the European Union and the owner of a cotton plantation in Mississippi in the year 1850. If we are honest, we strive for brands that are just moelle and all our ailleurs. »

Q: Is it possible for you to make films in a framework with more independent people, with smaller budgets?

R: « A project has been carried out. If everything is honest, the COVID arrives. You are one of the two who sees the air of your career, but that is the most beautiful and also during the financing of independent films. But I think you are marching. »

Q: When you have done this Die HardDo you think transformer Bruce Willis is a superstar?

R: “No, we don’t save anything, obviously. The studio itself may contain films that are not available. And just before the film is released, they are lifted from the poster…”

Question: What genre is the actor c’était?

R: “He wants to bring back freshness, honesty, good game. In the film industry, there are scenes that will earn you an incalculable number of shots. The generations of the demands of your manner, encore and encore, you hand out that you will see as comme ça. Bruce (Willis) refuses toujours. He always cherishes the essence of the story or the narrative scene and finds a new face of the game. “