»Rebel Moon« for Lateinprofs – The Gap

Christoph Prenner moves past images – in this Kompendium zum gleichnamigen Podcast schreibt is drüber. That little hat in »Megalopolis« doesn’t have good welds.

© Lion Gate

Everything seemed to be done, the way, the dieser kleine Text einschlagen sollte, leuchtete in bechend scharfen Konturen. After a number of erasing themes – this last column – an object of cinematic beginnings is created in a minute, but it is only the best way to enjoy and enjoy fantastic things: »Megalopolis« by Francis Ford Coppola. Genau: THE legendary Coppola, who in the 1970s with the first two »Der Pate«-Teilen, »Apocalypse Now« and »Der Dialog«, saw the worldly setzte of the world, who with 80 tatsächlich nor even out of the schaukelstuhl in the world comes to Californian Sonoma County aufgeschwungen. For an alternative work, a brain lie.

If you see the idea of ​​​​”Megalopolis” in the heads of the seniors of Hollywood Clans (Tochter: Sofia Coppola, Neffe: Nicolas Cage), this can no longer be done on Zelluloid. A film that has not yet been realized will earn Coppola some of his lucrative profits. Yes, if one of the great blessings is getting 120 Million Dollars from your own treasure in a trip that shows your Leinwand trip, your own Bonmot »If bedarf keiner Fantasie, um in Rahmen seiner Mittel zu life« nor with Leben fullt, then that’s all but Eins- a euphoric fitter for this column, or?

Trubungen im Vorfeld

An intoxicated situation arose in the letzten months that schon frühzeitig and were troubled. The world premiere of the »Megalopolis« in Cannes was presented by the painters from the set, and the directors of unprofessional filming were presented with uninterrupted stories. Or one of the film’s most popular trailers, which features a coppola of gratuitous criticism as one of the squeezes that gets your misunderstood mind. Problematic, as they say.

If all goes well, see that our Ganze is first a personal choice. Laurence Fishburne’s stimme signals a beginning, which is not even a gegenwartsbezug mangelt: »Unsere Amerikan Republik unterscheidet sich gar nicht sohr vom alten Rom. Where would the power have a new power if it had fallen?’

The Schicksal of the Dekadenz and the Tristesse-gezeichneten Megacity are a champion of the brilliant architects Cesar Catilina (Adam Driver) and the populist citizenmeister Franklyn Cicero (Giancarlo Esposito). Letzterer will maintain the status quo, living in a future Utopia, a city that will grow organically with its inhabitants. Ausgerechnet Ciceros Tochter Julia (Nathalie Emmanuel) is the father of a bald man at Cesars Vertrauter. The citizenmeister is by nature a problem with die Verbindung – and other other end of the Vordenkers who come with Intrigen in Stellung … Will the New Gegen the High, the Clean Gegen Das Nützliche, Das Morgen Gegen Das Heute Durchsetzen Können be?

Megalomaniac Visions

There is no fantasy involved, but you will recognize it when you see Coppola in the duel with the ideals: of course from the performers, from your gestaltungswillen your vermeintliche vernunft posits. »If we make an indisputable impression, it is a fact that we will be free«, it is one of the few films that exist. Has a wage change arisen that has arisen in an uncertain life, if your vision of a vision has arisen, that in the infrastructure of the state of affairs that has a certain possibility, will die in your prevention? Was the child shy despite his megalomaniacs, who catapulted into the new world with hubris, indem of the proposals that were made, was Unterhaltung sein kann, with cinematic fieberträumen gezielt unterlaufen?

Those who came from Germany to Germany also theoretically had a great chance in »Megalopolis«. If there is a film that is so common that the film is not properly represented and in the dialogue dialogue on Dauer it may be that the war is a matter of time. And yes: In der Tat it is a matter of taking a long time before you get the chance. Coppola sits outside Marc Aurel, Ovid and Shakespeare, allowing his ensemble (in the special Aubrey Plaza to be sardonically brilliant) in distorted monologues that express reflections on time and power, which have a connection with literature, philosophy and writings.

Stunning between

The inhaltliche overload that these wild Couples from Politdrama, Science-Fiction, Noir and Satire find in a pendant in an intensive visual journey. So vivid and beautiful digital photos of Coppola are woolen, they cannot be selected at a costly price, who man is also an aesthetically verunglückte Netflix-Blockbustern-kennt. Dennoch is of the opinion that the Altmeister is becoming more and more – how the man has developed into ‘Rebel Moon for late professionals’ in his notebook-critical woolen – with no more gaps between sequences that can be accomplished.

When the ‘Megalopolis’ was given a beautiful and aesthetic and refined mangle, while the man could see that temporary geistesblitz in the new world, Coppola was as Nächstes nor in the kitchen. The power of the raw work is an insignificant work, it was a bit disappointing – a day would not last that long. And that’s even more, if the man can manage the production of the most productive products with a new pre-is shield.

»Megalopolis« was released on September 26 in eastern Kinos.

Christoph Prenner praised the film with Lillian Moschen in the podcast »Screen Lights« for two months with the active film and series films­shed. Our columnist can be reached by email at [email protected] zu erreichen bzw. at X (formally Twitter) below @prennero so found.