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Film der Woche: “Joker: Folie Á Deux” – Wer bin ich – en wenn yes, wie gaga?

Film der Woche: “Joker: Folie Á Deux” – Wer bin ich – en wenn yes, wie gaga?

“Did you find Arthur or Joker?” TV journalist Paddy Myers is in the film in which Arthur Fleck is genüber and interviewed about the murder. Erneut verkörpert Joaquin Phoenix die schizophrenic Kriminellen with all the blessing storytellers Brillanz. Fleck wartet auf seinen Prozess. A visit to the city of Gotham is a psychiatric treatment of the Arkham Asylum, a problem of Dasein.

The arrogant Myers will come out of the closet of the Kamera-herauskitzeln, was a sensationalist Zuschauer who knew wollen. For all that Arthur Fleck was, he had received his blessing. “I was truly different from myself. I am not yet alone.” Joker has lost himself. Seine Herzdame heißt Lee Quinzel. And I met Lady Gaga.

Anarchist Salvation Bringer

The legacy of “Joker” in the 2019 war has evolved. The story of the Kinokassen about the Batman opponents is worth more than 1 million dollars, Hauptdarsteller Phoenix and Komponist Hildur Gudner won Oscars. The style of the 1970s and corporate criticism have strongly entered the American current of the new Hollywood. With films like “Bonny and Clyde” or “Taxi Driver”, this is one of the best modernizations of classic Hollywood films.

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Enter one of the surprising thoughts of Joker’s Waltzed texts that form a contradictory debate. Look at the psychology of the dual role of Arthur Fleck/Joker. The human Schicksal Arthurs awakens at Kino-Zuschauer Sympathies.
The first stories of Mob Joker as an anarchist Heilsbringer come to an end. For the demütigte Unterschicht of Gotham, the multiple Mörder zum charismatischen Medienstar und Sozialrevolutionär, die Welt der Mächtigen ztrümmert. In the role of the Joker, Fleck stops with the knowledge, not daring to go into it.

Who can use a fortsetzung? Todd Phillips has changed his mind with “Joker: Folie Á Deux” and the identity of the protagonists is very important and the heroes are their best friends. These kinds of things that were gründlich were the plot of a more psychological specialist profession with reichliche gewalt, tanz and gesang were lässt.

Lady Gaga was written by de Leib

In der Haftanstalt, Arthur meets the Pyromaniac Lee Quinzel. These comic book characters from the DC Comics edition appeared in the 1940s in the Batman Series, which was first published in 1992 for the Zeichentrick series “Batman: The Aminating Series” and overnight in the Batman Comics series. series are displayed. In the Batman universe, Quinzel is a psychiatrist at Arkham Asylum, where Joker is founded. Ihr Alter Ego Harley Quinn – a Wortspiel with the English Harlequin – has übermenschliche Krafte and is the Joker’s romantic thoughts. Dass Todd Phillips is in his sequel, is a sin. The flache Umsetzung has begun. Lady Gaga was written by the Leib with the refined angelic literary heroine that did.

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It is worth seeing a feature film and a focused drama, nor on the musical film, but it is very nice. Natural hits with “That’s Entertainment” by Judy Garland or “For Once In My Life” by Stevie Wonder have a song number. This dramaturgical interpretation is no longer contemporary. The singer has very little nutritional value. When I enter into dialogue, the character becomes more and more applicable.

So if this series is one of the “Folie Á Deux”, and also the psychotic disturbance, in the Wahnvorstellungen of a person of another, nahestehenden will be used. Offensichtlich wolllte der Regisseur die Erwartungen and blessing Fortsetzung torpedo. It is not ‘bigger, faster, stronger’, but a more aesthetic way of breathing, which is located in the Lorbeeren des Vorgängers. If you wish, large images are made with virtuoso Darstellern boats. But man inherits schlicht nichts Neues.

In reality there is no chance

Phillips may be in a particular location that began in the early years of the last century, but his film is for mentally unstable or socially out-of-touch people an art license for the experience of roher gewalt, those little ones avoided. Statistics are a form of false love, an emotional bond with other egos, which die in the reality of a small chance.

Anyone who presents ‘Civil War’ and ‘Megalopolis’ has seen that film – the main character – a spalted American community made up of hassenden, rolled fans and a degenerating, corrupt Elite. Both groups are very empathetic. Gotham City as Blaupause for hot America, goes through the Präsidentschaftswahl, used, has not really been reholstered. But Phillips has wasted this opportunity. Statistical speist is the Zuschauer with Liebesliedern, Stepptanz und trivial Psychogrammen ab. Aber klar: “That’s entertainment.”