MusikBlog – Laibach – Live in Felsenkeller, Leipzig

It is so that the referenzplatte, with the short term brought into the agreement, is achieved, which will produce the output. For the provocative Laibach, who created “Nova-Akropola”-Früh-Industrial, uber-spenstische “Macbeth”–Vertonungen and “NATO”–Elektro-Bombast, his musical and soundtrack are über-controversial years later, his zweifelsohne „Opus This is a masterwork from a artistic concept of an artwork, which will be released this month as a Re-Release.

I toured and did not let the Slowenen-Leipzig down, the music players from Milan are born in their roots, who do not sit in the show hall, but have filled the ball of the felsenkeller in the west of the city.

For the beginning of their own thoughts after the introduction of the original ideas of the legends Albums of 1987 before: In an Endless Life, the Leitsequenz of “Life is Life” – as a work of the totalitarian, with the Center of Pop Culture a Botschaft manipulative life, by the Venue .

The dramaturgy of the presentation is no longer available when it comes to the previous guest plays: lovers in the shows of “The Sound Of Music” and “The Coming Race” in the first part of the jewelry sets that complete the work and work after the pause a pause with the backcatalog spielt, the strict Samstagbend did not start with “Opus-Dei”-Inhalten, a radical instrumental.

Das Eber-Keller-Dachauer-Salinger-Laibach-Grundquartett “4 persons” Traf den Saal Dissonant and Einigermaßen überraschend, there those instrumentalists with “država” brachial ferment, “Freiheit” and “Der State Kümmert sichmert sicht zur Bildgewalt von Aufruhr und Gewalt – von Nahost bis zum Kapitol – der Frontmann via “Boij” erstmals in Erscheinung.

The charismatic voice of the powerful visions in the splendid sound of “Mi Kujemo Bodočnost”, described “Brat Moj”; Erschien Zangerin Marina Mårtensson has started releasing the extensive cover repertoire of art collectives, one with his Stimmgewalt beizutragen by Bob Dylan’s “Ballad Of A Thin Man”.

After the conclusion of all activities, in the large volumes of boats, the variation on the Urheber Robert Görl and – if there is no mention yet – Gabi Delgado is finished, follow the mandatory break.

Then you can beat the tracks of the Tour Titelgebers. Before Marina Mårtensson performed ‘Leben Heißt Leben’, she spoke ‘Trans-National’ as a humanistic graph, after Laibach ‘How The West Was Won’ and other songs in the changed Arrangements der Neuauflage vordellten.

Nothing is „Geburt Einer Nation“, das nichts von seiner unheimlichen Anziehungskraft lost hat, a Highlight, ebenso wie die Verwandlung von Opus’ Volksfest-Hit „Life Is Life“ in a mass mobilization of Marschrhythmus.

In Billie Holiday’s Civil Manifesto “Strange Fruit” you will see an image of the most ideological Rausches, who die the Beddeutung of the Root “Life heißt Leben”, who – siehe Einschleifen – fell on the Heimweg through the Kopf gegeistert sein duürften, unterstrichen .