The Cure: Songs of a Lost World, first album in 16 years

Cure album ‘Songs of a Lost World’

Rückkehr der Verdammten

After 16 years, the Düsternis-Prediger von The Cure releases a new album: «Songs of a Lost World». Is cycling more like Fanservice?

Joachim Hentschel

Publication is at 1:40 PM

If we know that Schwarzmichel de Stimme nor ever wants to help, if he is the Wasser bis zum Adamsapfel: Robert Smith during a concert with The Cure 2022 in Hamburg

Photo: dpa

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In Kurze:

“Songs of a Lost World” plays to great music in Madison Square Garden.
Kritik gibt es roads fehlender Überraschungsmomente.
The song “I Can Never Say Goodbye” was written by Tod from Robert Smith’s Bruder.

It was a matter of time, at the time when things were going so well, there was a real depression. Damals dares to die after who for the holy The-Cure-LP «Pornography» now then ausleihen, when he is a single besitzer the Eid, he is not abzuspielen with electric light, now with Kerzenschein.

There is a war going on over the Rotweins, which involves a number of things on Dorffriedhöfen. That imperial phase of freely Verdammten, lost in a forest, all alone. All in all, we are proud of our Schicksalsgemeinschaft sister-in-law. Obwohl jeder Ausweg offenstand.

That’s the gross Frage, if not bigger Band The Cure in Herbst 2024 a new Musikalbum available, since they were 16 Years, first straight for those, who were 16 themselves first: Ist «Songs of a Lost World» etwa dann gut, is it a früher-klingt? A blade was a matter of damals, would it be more accurate if you blade damals? Or is there a dense Gestrüpp in Ohr gewachsen in the Zwischenzeit, that thing bis zur Unkenntlichkeit verzerrt? Once it did, it could be a miracle.

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A dann comes the first Song, and an im ersten Moment sounds in the Tat wie von 1989, under his heisst nor «Alone». Dicker Baskerville-Nebel sees through the image, the drums, the pizzicato sounds, a master orchestra’s sound as a Schneeregen dazwischen. “That bird has fallen from Himmel, that Wörter is a lost one,” sang Robert Smith, unser lieber, alter Schwarzmichel, dessen Stimme noch immer wirkt, as support from the Wasser to his Adamapfel and as if it were the first launt. ‘Die Welt is nur ein Traum’, it seems like Shakespeare’s ‘Der Sturm’, it is wonderful. And trotzdem: Irgendetwas stimmt nicht ganz.

The all-institution brand – that is, in any case, the singleness

The definition of that massive bedeutsamen Band war and ever, everything has been made possible and welding could. “Boys Don’t Cry”, the first hit from the Phase, in The Cure, nor the rotten Post-Punk-Spargel from Sussex, is a core of a funky-schlager. «The Love Cats» from 1983 – Smith in the Rückblick has become like this: «I am a composer of Vollsuff, Video in a film of Vollsuff, Promotion in Absolviert of Vollsuff» – is a similar gangster-jazz mannerism. Selbst on his adept, extradunklen Epos-Alben finds his Garagenpop-Liebeslieder and Asian angehauchte Tiefsee-Shanties.

The brand of all settings – it is anyway, the only thing you can do is with your coarse Zwielicht meditation. With pieces from Anfang and Ende, which can be used for long instrumental intros and bass lines. If the punk is abgeleitet, aber auf Transzendenz azielend, nicht auf the Unmittelbarkeit of the schmerzenden Menschenkörpers. I think it’s quickly going to “A forest” in the world of one of nature, fout, let the irdic fear in the Nebel and in the Treasures on. In an art of Trost.

It is the historical history of The Cure 1981 during a festival in Belgium. A glove in the set of the technique is furious, it seems that the song changes a bit and the flower for the superstar Robert Palmer machen free. Also play the tape «A Forest» and sing extra on new minutes. «Fuck Robert Palmer», referee bassist Simon Gallup with Abschied ins Mikro, «fuck Rock ‘n’ Roll!’

This album is gutted, and it’s no longer good

Gallup has never been that old, and Rock ‘n’ Roll is a fact that The Cure has not become. This was all the case. If the Neunziger himself Headliner, a Stadium Band, now appears during the Night. A few years ago, the friend of Zirkus der Düsternis, who has no new songs since 2008, we will always die, nor so long. Man must be very light: Not that it is bad, so long as The Cure is not good. A message and a message might be better.

One of the songs from the ‘Songs of a Lost World’ that the band has been able to enjoy for a long time from the treatise in its concerts, and here the ansatz for the problem can lie, and this new working guideline. This is The Cure’s first album, which is the biggest release you can make. Dessen Songs started, if I wanted to try my Kreation, the guy with the Primavera Sound Festival and the store behind it at Madison Square Garden would definitely get a shot. The acoustic pendant was a Geisterbahn from a real Spukhaus.

It fell with the Klang zu tun. When The Cure comes from a band from the great dynamic war, the music is filmed after and after burghohen and by letting go of the luftdurchlässig-blieb, it is the «Songs of a Lost World» that has had the best time ever.

With ‘And Nothing Is Forever’ in the game, one of the core songs, you could implement the penetrating influence of Achtziger-Keyboards on the synthesizer, the opera keyboard and the booming Snare-Drum on the Oberhand. The Bratpfannen guitarist from Reeves Gabrels, released in 2012, was hailed as a virtuoso. Obwohl is with the rights of Rockhand to the Karriere von David Bowie for a certain time in the Schlacke wake.

A Schritt neben die Nostalgie, bitte!

Zugegeben is a Klage at its highest level. I think you can say: The Cure provided the best fan service on that album. There are long intros that the bass plays, raucherhustenkranke raupen through the white winds. That’s all of Heulen and Fliegen.

If someone has written a story about their own nostalgia, it is a fact that in the best war the Starke von The Cure will be sent out, but there will be no question of heredity. If you are at the lowest point, the Wald- and Wallfahrten end with a few songs, which play with the most common Wendungen and Melodies in their sets. When this solid collection stops working.

As a painter, anrührendster Moment wird «I can never say goodbye» remains. A piano-slow Elegy, in Robert Smith and Tod, is one of the Bruders complaints. “If the lightning blows, the Himmel spaltet shines through the Names,” he sings. «We will wait for you.» Here it is no longer a black romantic romance, one of the most tactile stars, one that is not so simple. It’s a good ending to the thing. The poems that appear frequently are natural.

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