Riahi entführte at Jazzfestival Saalfelden in Traumwelten

Abtauchen in wieder Welten lautete das Motto Freitagabend beim Jazzfestival Saalfelden. Clarinetist Mona Matbou Riahi plays all might with his project “Nebulift”, while the main stage in the Congress is open, in psychedelic trauma landscapes, with the Trio Radian Noise, Groove and Experiment together with the supergroup The End in his name. Ohnedies galt: Bunt gemischt is more intensive enjoyment.

Never before was the first set of the professional leader Mario Steidl with his team in a perhaps most successful way busy with more events in the Pinzgauer Bergwelt. There are many free concert concerts that are often one of the most popular hip-hop events, but also the East Tyrolean Formation Jimmy and the Goofballs can insult themselves and serve with a price hip-hop, a great demand for lassen -, it is on the height Hauptbühne sowie in der Entdeckerschiene Short Cuts betont anspruchsvolle Kost, die man sich durchaus erarbeiten muss.

Wobei: Im Fall von Riahi, die Auftragsarbeit for the Festival with his Kollegen Dorian Concept (Electronics) and Manu Mayr (Bass) anyway wonderful Visuals von Lou Zon umsette, must sich das Publikum eigentlich nur Fallen lassen. Beautiful, beautiful, elongated beats and waving sounds through different emotional feelings, which man dared to suhl in living sounds, so that we would be sucked into the Ruhephase.

Mayr’s bass play is a reflection of the combined piece, which is a concept that is a flash of construction refinement. If the war in Nebel is a melody, then Riahi is the disruptor – all you dare to do is man yourself of the people and contemplatives Gestus namlich nicht sein, that Traum drohte stets to platzen. Zwischendurch wurden Speech and Song samples are set and will take on the music and the Stage Front. The audience starts with a big applause for the various performances of the Main Stage.

A number of mangelden dares in the next group the Kris Davis Trio with Daniel Erdmann, together with the Kollegenschaft not beschweren. When the Canadian pianist in the new album “Run the Gauntlet” is played, the album “Run the Gauntlet” is frozen and ends the dissonant sphären (niece of the uncomplicated bassspiel of Robert Hurst), which is the German-French couple therapy of Erdmann with a high point of the Tages. Kein Wunder, the man who illustrates Mitstreiter with violinist Théo Ceccaldi or bassist Robert Lucaciu with a seiner Seite hat. The sextett, which consists of three German and three French music cores, is one of the best vibrations, if you are blind with the ball ensemble, you harmonically schönklang and kraftvolle Ausbrüche that are born with the Waage-hakten.

Zum Erzittern brought schließlich two other Formations in hre jeweiligen Auftrittsstätten: The Wiener Noise- und Experimentaltrio Radian führte in the Otto-Gruber-Halle for Augen (and Ohren), that is a fragile moment, different structures and cathartic Entladung keineswegs ausschließen. Manu Mayr dares to do a few things, while main bassist John Norman works with guitarist Martin Siewert and drummer Martin Brandlmayr on the stage. And the famous sister group The End is one of the Australian music axophonists of Mats Gustafsson and Kjetil Møster, who brings the singer of Sofia Jernberg the Abschluss des Tages dem Publikum auf der Hauptbühne to the Ohren with energetic Noisejazz. None of the best things in Saalfelden fellbeschäftigte Gustafsson zu Beginn augenzwinkernd: “Das Ende ist hier, das Ende ist nah. Be careful.”

With a view, Bipolar Female naughties in the hut again. The great indie rock band plays a role in the production of a set in Kunsthaus Nexus for a while, but the big changes in the German world appear. This Jazz Festival will not last much longer, but when the experiment is carried out, it is a fact whether it is the best friends who want to once. Gesellschaftspolitieke gestures and musical finesse go hand in hand. If the program has not even started yet, it is so that man can no longer fall at all.

(By Christoph Griessner/APA)

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