Conversation with the Luzerner Core Team

Betritt man das Atelier der Luzerner Filmemacher, the first man of Hunden started. The Fenster is not offended, the Luft is a rauchgeschwängert. Coffee break. I am rude, insult Raum a bank and another Kinosessel. I am in a hineinfallen. Ums Kino, a film «Typical Emil» about the 91-year-old Luzern Kultkabarettisten dreht sich our conversations. Phil Meyer, Elmar Bossard and Simon End work together with the core team. It’s a longer movie.

There’s not much more a film about Emil Steinberger could do. How did he suffer the «Zuschlag» during these young years? The Kurzantwort: Sie haben das Vertrauen von Emil and Niccel Steinberger won. A film Emil made is one of his films. And the blessing Frau Niccel. “Sie wollen nicht jemanden, der schon 100 Dokumentarfilme gedreht hat,” said Director Phil Meyer. In a 50-minute Fernseh-Dok – which is more than a fragment -, who will insert Emils-ganze again?

The Über die Bühnenfigur is visible

Unconventional things happen, says Meyer. There and Elmar Bossard, not nur Kameramann, is a scarer Freund, who has struck the Ehepaar in Basel with an unconnected relationship. For a year, Meyer and Bossard both made private films and with the room of their films – Ehrenpreis, 90. Geburtstag –, «damit man der Person Emil näherkommt and über seine Figur hinaussieht», said co-producer Simon End.

Der Start zur bisher letzten Bühnentournee, jemanden zu haben, der das festhalt, habe as een Art Türöffner gewirkt, end weiter fest. A Bossard noted that Emil and Niccel were one of the most important things. Niccel has clear contacts with the study college and the road arrangements. Ansonsten has completely completed the Steinbergers here. When Franz Hohler started working with Emil and most of the Arbeitsweise came out, it was worth its weight in gold.

«Was power ihr heute? Ah, am I in the archives?»

“Emil and Niccel are impressed by the problems,” said the Kameramann. Since then we have seen “sehr grateful” protagonists. There are jewels that a little one has earned, but it is a room that is not good, except with Emil, but also when he is bored. Of course, people were also in the film world, Emil and Niccel in private; a «its own, fine, real Zweisamkeit». “I’ve had a few changes in direction,” says Phil Meyer. It is a war, the Director and Kameraman fragmented: «Was Kracht heute? Ah, am I in the archives? Let’s get back to you.» It could be an exciting event, thought it was. They are directly located.

In these first years, Phil Meyer and Elmar Bossard did not make any money. If you give a more liberal answer to the question of how a label invests in the project «Emil», if they do not want to know more, the problems will be solved. Cinematic know-how and equipment have it all. Das Vertrauen wuchs, das gedrehte Material war gut, sieien seien «extreme nahe zammengerückt». A crystalline effect is a natural property. These, together with the Steinbergers, are an official co-writer of the film. And: “Emil loves Filme!”, says Phil Meyer. This kinodokumentar film is a traumatic story that has been overcome by the director. If you get it back, it will no longer be possible. “Der dramaturgische Rahmen, wie en wat was erzählen, stamm von uns.” Jedoch must be in standard Austausch, on Telefon, by email, in Mittagessen.

The film team has made an overview of the archive. 80 Tapes of private calls can go through time – Niccel and Emil have neither their own nor any English. The few people who were in the hand of the film macher, «with the time they used», said Simon End. People no longer want to hang up and choose the right film. Drei Mazen, the son of the Bereich Bildende Kunst is a name that has not become woolen, but it is very light, very much from the Director. The film makers have started their own production company for the «Typical Emil», and Simon End Schloss is as a prolific producer.

That is not the case

The first 70 minutes of film started when the Entwicklung of Emil’s Bühnenfigures started moving. The graceful family proceedings, under the attention of the mumbling and the circumstance, which have the power over the rays at the post of the Riss, are neither power-defining. That is not the case. Wunderbar and childhood friend Armin Beeler and the first theater version. All my friends are happy with their work. Cutter Justin Stoneham (‘Rewind Forward’) – on Luzerner, jetzt in Zurich – has a neutral person pushing another person onto the material and it’s wise to see what happens next. A “Goldgrube” is the private video author.

It is possible to talk in the future, while the journalist has done one of the most popular things. Who should read Niccel Emil’s Heiratsantrag? Who do you see as an Ausschnitt from the Hochzeits video? Isn’t this private? Was een Bedeutung voor de Geschichte? There are a few people who are concerned and have been irritated by the chartered accountant. And erklärt: “Der Film is de Entwicklung van Emil als Bühnenfigur und wie er heute lebt en ummeht.” Deshalb became Emil and the Kleintheater, Emil and the Kino Moderne nur am Rande erwähnt. The high time, the liebeschichte of Emil and Niccel, those in New York City in a few days, the Emils Spätwerk, a Lebens- und Arbeitsgemeinschaft.

Look at a wider jet from Emil Steinberger

What may be irritating is that the first wife is Maya Rudin and they both come up with nieces in the film. When it was a directorial separation goal, Phil Meyer said. “We couldn’t have eaten this dish.” Maya Rudin is 2023, made by the film, died. Neither could decide on a project within the project.

The film said about a broader portrayal of Emil Steinberger. When you see the American business community in New York City, the Middle Easterner from Switzerland is not going to come out and make a standard movie. Jetzt wrote Emil Steinberger and an autobiography. Aber, says Elmar Bossard: “It’s not a miracle, and yet it’s a good thing.” Man just erase it, it’s all you’ve done, Emil said in the film. Auch Simon End spricht von «Wertschätzung», Wertschätzung dem Publikum gegenüber: «Auf der Vorpremierentour hat is immer alle Fragen answered en alle Autogrammwünsche erüllt.»

If the film is viewed, this is gross, that’s a man. A bisschen Stolz swings with. I became one of three dogs to come out. There is a good groove in that studio.