Rolling Stones – Essay by Little Steven

The Rolling Stones are my life. if you have never been where the tatsächlich has become a “Soprano”. First it was Mal sah ich in Fernsehen. In the war of 1964. Those Beatles were perfect. Die Haare, die Harmonien, die Anzüge. They work in sync. Ihre music was unmemorably refined. The war that is going on and fremdartig, continues in its perfection. Those Stones were fierce and tough. Please note that it is a good idea to have a good experience.

Those Haare were schlamper. That Harmony is a bisschen daneben. And if you just let it happen, it won’t be clear at all. If you like R&B traditionalists: “Wir sind nicht im Showbusiness. We make some pop music.”

The Rolling Stones – ‘Heart Of Stone’:

While having sex in Mick Jagger’s Stimme war erwachsen. The war is pop sex. Hands stop, Flaschendrehen play. That war is the real thing. Jagger knows it is true that the R&B singer and the blueser are standing outside the door, singing, talking, the notes are not going to stop.

When pop radio is active, Jaggers stimulates his music, war is a Wendepunkt in Rock’n’Roll. There is a power for all others. Plötzlich no longer works so remarkably with Leute with Eric Burdon and Van Morrison. Not a single Bob Dylan.

One Weißer, there on the stage with a Schwarzer aufführte

The war was new. A whiter, if it is on stage, there is a blacker filling. Was with schwarzen Performern connect, go to the Kirche. When the mind moves and when it moves through its movements. All important comments and thoughts on the board are available. If all goes well, the man is no longer under the control hat. Mick Jagger was devastated by this war.

Of course there were a few Tanzschritte by James Brown and Tina Turner dabei. Aber James Brown war-extreme choreography. These are often the power of Mick Jagger, who wages war against the Spirit. Iggy Pop and Jim Morrison have never had a study influenced by Jagger.

I’m at war with Brian Jones’ band. I’m here in Namur. It worked. Organize a concert and write about it in the Zeitungen, when it was Schlechtes Schrieben. The cool image and the aggressive look – that’s what I did. And the tradition. The blues pseudonym Elmo Lewis is used and bottleneck guitar is played. Auf Alben with “December’s Children” and “Aftermath” is a different instrument: Laute, Cembalo, Sitar. There is a war without creativity and a lust for power.

The new Rhythmusknecht

Aber auch Keith Richards was not a man who became self-conscious. The new Rhythmusknecht. Dabei plays a big solo: “Heart Of Stone”, “It’s All Over Now”. And then the Riffe. “Satisfaction”, of course, and “The Last Time”, the stones themselves are the first correct songs. “Honky Tonk Women” is now a unique Accord. Then it’s a different way to play guitar. Zum Beispiel with the G-Tuning and the nice version davon. If you have Akkordfolgen, you can counteract that immunity – it’s the ‘Gimme Shelter’ effect – if you make a small comment. And everything is melodic and rhythmic. In the E Street Band, it plays standard rhythm guitar in Richards-Stil. Jeder, der Rockgitarre spielt, tut das.

Heute gibt is all Generations junior Leute, who know those Stones neither as Icons

Bill Wyman and Charlie Watts wanted to play different bass/drums in rock ‘n’ roll, which swings. It’s not as cool as the war with Rock’n’Roll, but that man is tanzte. Man can frolic was one of the biggest problems in London, at the Station Hotel, 1962 or 63. The crowd was completely out of the house, the Stones ditto, everything that was in a Blues club and the Southside in Chicago. Man listens to the music.

Heute gibt is all generations junior Leute, who know Stones now nor as Ikons, keinen Bezug more zu ihrer Musik haben. It looks like the first four people schicken, in the US version. “England’s newest hitmakers”, “12×5”, “Now!” and “Out Of Our Heads”.

The next election was in the second major phase. “Beggars Banquet”, “Let It Bleed”, “Sticky Fingers” and “Exile On Main Street”. The merge is Rockalben’s best run in history. Entstands in three years.

The Stones really play in the mancher Hinsicht better as in the 60ern. Damals were siemlich schlampig, was mir personally fallen. Technically this is the case. The problem is that your power comes from Alben’s first power. From 1972 gab es nur noch een Handvoll guter Songs. If you want to know more and live like that, no matter how long it takes, what is even possible?