More modern art auctions at Lempertz and Van Ham in Cologne

The Steep Coast of Normandy has been taken into account. Be sure to use the warm atmosphere on the terrace in the French Krimiserie “Lupin” for your tourist flow. Knapp 150 Jahre zuvorschafften Claude Monet’s Seestücke dieser Landschaft ähnlichen Ruhm. If the Maler was brother in the summer of 1880 in the batheort Petites-Dallas, faszinierten ihn die schroffen Felsen and the unlimited time that is so, that is in the following years higher and the kissest zurückkehrte and he is on the Leinwand bannte.

In 1882 I found the Gemälde „Mer agitée à Pourville“ – a Besonderheit, it is the only winter sculpture by the artists of Diesem Ort. Notice is the happy Provenienz des Gemäldes, that is beautiful in the year since the completion of the Galerist Paul Durand-Ruel purchased. With a tax of four million euros fresh, it is now the Spitzenwerk in the “Evening Sale” with 78 Losen, the Kunst- und Auktionshaus Lempertz am 29. November in Cologne abhält. The great loss of the deviating results was my schätzpreise-betrifft, deutlich Darunter.

In the Sparte der modern kunst überzeugt an Arbeit Oskar Schlemmers from the Bauhaus-Zeit: The gut one Meter hohe “Abstrakte Figur – Freiplastik G” bestht as Plaster sculpture from different Kugel-, Zylinder- and Diagonalformen. Schlemmer fertigte si 1921/23 an. As a deposit in the Stuttgarter Staatsgalerie, Zuletzt now costs 300,000 to 500,000 euros. Während Emil Nolde in seinem 1913 entstandenen Gemälde die Plastizität und Farbigkeit zweier Kirchenfigures herausarbeitet (Tax 300,000 to 350,000 Euro), Max Liebermann investigated in a year that he worked for Gemaltem Werk “Aus dem Grunewald” in the Umgang mit Licht en Schatten (200,000/250,000).

Among the time-related losses of the Abendauktion is the video installation „Baum der Versuchung“ by „Vater der Videokunst“ Nam June Paik. Created in 1984 for the WDR Fernsehsendung “Bei Bio” with Alfred Biolek. The Baum, one of the monitors who was aware, is a thematic fortsetzung of Paik’s “TV-Garden” from 1974, the art teacher 1977 presented at the Documenta 6 in Kassel. The old work at Lempertz is a spätere-fassung from 2005/2008, which – with four new works – dates from the Besitz of the Sammlers Wulf Herzogenrath (200,000/300,000).

Von Willem de Kooning came with an untitled title, 1943 entstandene Öl- en Kohlezeichnung zum Aufruf, de zwei abstracte Frauenakte zeegt (300,000/ 400,000), with Georg Baselitz with „Piet M.“ a portrait of Piet Mondriaan lief, in a larger Vergrößerung and more typical Manner des Malers on the Kopf Stehend (450,000/600,000). The total estimate for Lempertz’s auction, more modern and contemporary art, is worth 16.5 million euros.

At Van Ham’s “Evening Sale”, on November 27 in Cologne, you will find a museum in Spitzenlos in the Vordergrund. After the house in the woman’s house with Pablo Picasso’s ‘Buste de Femme’ achieved a high of 3.4 million euros, there was only one of the next Pferd: Picasso’s cubist still life ‘Pomme et Verre’ in 1923 – and a single prominent Vorbesitzer. Von Paul Rosenberg in Paris walked through the statue of Jacques Helft in Paris and Buenos Aires in the Sammlung von Konrad Klapheck (350,000/500,000). Klapheck himself is no longer a bad besitzer, or one of the jobs that comes under the Hammer. “Die zahlreiche Familie” is a fruitful work of the sogenant machines, the combined form of a series of exploration and minimalist abstraction with image motivation (140,000/180,000).

Otto Dix is ​​educated about the theme of the family. In 1927, the Gemälde „Ursus mit rotem Mohn“ was seen as a new birth and a fast über-dimensional Mohnblumenstrauß, which never lived again, but the versatile image light. With a tax of 300,000 to 500,000 Euro, the work of the new economy is discouraged at the beginning. The stylistic vision is a comeback on the art market, which will not take place during its centenary and its social criticism with feinmalerei, which is fragmented at Sammlern.

The high prices in the 40s lose the offered slow Werke zeitgenössischer Künstler. Steven Parrinos Diptychon “Lucifer’s Hammer” from 1989 came onto the art market. The orange-colored tables are Paradebeispiele für Parrinos “deformed paintings”, in the art form Leinwände with Reliefs form (450,000/600,000). Gleich zwei Werke von Peter Doig platziert Van Ham in der Abendauktion: Both Frühwerke entstanden 1996 en kommen aus dem Besitz der Bremer Landesbank; the Ölskizze “Study for Ski Jacket” (350,000/450,000) and the Gemälde “Figures at Red House” (250,000/350,000). Insgesamt belaufen ich die Erwartungen für die Abend- und Tagesaktionen at Van Ham on 9.8 Millionen Euro.